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Saturday, 9 February 2019

Contributor news: Allen Ashley seeking submissions for The Once and Future Moon

Allen Ashley is editing a new anthology for Eibonvale Press, The Once and Future Moon, and it is open for submissions on that theme till 30 April 2019. Pay: £10 per story. Length: 1000-5000 words.

Here's what he has said about the project:

"This will be an anthology of stories set on/dealing with the abiding influence of the Moon.

You can take a literal or non-literal approach.

The 'Once' aspect will deal with how older cultures/earlier civilisations/ people in history saw the Moon, considered and reflected upon the Moon. Think Verne, Wells, Godwin. Think mythology. Think the Sumerians. Think the Ancient Greeks. Think beliefs held by vanished cultures. These stories do not have to be factually, scientifically accurate; the Moon element could be seen as poetic, figurative, imaginative, etc. These stories will likely form one-third of the book. Possibly half.

For 'Future', I am looking at both the liveable near-future (e.g. up to 50 years’ time)and slightly further ahead as well. I want stories grounded in how we will live on/adapt to/use the Moon in the near and further future. What issues might we face – some of which have yet to be even thought of by NASA?

I will also look at stories about how the Moon will affect our lives going forward. Will it be the site of the next war? Will it be the focal point of a conflict between science and religious forces (consider how the Moon is central to many religious practices)? What happens if the Moon starts to move closer to us or to move further away? What if the Moon was badly damaged or destroyed? What if the Moon acquired a companion?"

More information here: https://eibonvale.wordpress.com/2019/02/01/the-once-and-future-moon-open-for-submissions/

Sunday, 3 February 2019

Glass | review by Douglas J. Ogurek

McAvoy steals the show in trilogy finale that takes message too far.

The unconventional superhero film Glass, written and directed by M. Night Shyamalan, unites in a Philadelphia mental institution three characters from his previous films: good guy David Dunn/the Overseer (Bruce Willis) from Unbreakable (2000), bad guy Elijah Price/Mr. Glass (Samuel L. Jackson) also from Unbreakable, and ambiguous guy Kevin Wendell Crumb (along with his many personalities) (James McAvoy) from Split (2017). Psychiatrist Dr. Ellie Staple (Sarah Paulson) wants to convince them that they’re all suffering from delusions of grandeur. They are not superheroes, she argues, but rather ordinary people who’ve unconsciously manipulated their perceptions of reality to convince themselves of having superhuman capabilities.

Saturday, 2 February 2019

The Great Bazaar & Brayan’s Gold by Peter Brett | review by Stephen Theaker

Thousands of years ago humanity was almost wiped out by the nightly attacks of coreling demons, and saved at the last by the discovery of wards which turned the magical power of the demons back upon themselves. The monsters crept back to the centre of the planet, to regroup, recuperate and procreate while humans slowly forgot about them. Eventually many thought the demons nothing but pub tales, so their Return (it is always capitalised) three centuries ago came as an unwelcome surprise.