Possibly the UK's second longest-running sf/f fiction zine.
The cover of this short novel has traps for the unwary reader. Despite the artwork, the book does not feature a cat-faced girl, nor does the girl listen at walls with a glass. And do not read the cover flap, which provides a synopsis of the entire novel.
During his westward journey, exile Finnegan (aka Finn) encounters a large sign that says, “The world takes.” It’s a fitting summary for the post-apocalyptic world he traverses, a world full of zombies and even more dangerous predators of the human variety.
Eye-catching cover art by Julie Dillon gives a good idea of what’s inside: goofball space opera with a more serious protagonist. She is Captain Eva-Benita Caridad Alvarez y Coipel de Innocente, who hasn’t spoken to her family in years, since the awful incident at Garilia. She owns a slightly old-fashioned spaceship, La Sirena Negra, a keep-your-mouth-shut present from her estranged spaceship-dealer father, and we meet her just as she and her crew run into even more trouble than usual.
The rogue SecUnit (an android "made of cloned human tissue, augments, anxiety, depression, and unfocused rage") returns for Fugitive Telemetry, its sixth adventure, though to its own slight discomfort it is somewhat less of a rogue than before. Now it has friends, and its friends have expectations. So when a murder is apparently committed on Preservation Station, a place where such events are extremely rare, SecUnit is expected to help. There is some discomfort on the station about having a former murderbot on board, but its new friend Mensah has enough sway to override objections.
Cackle is a call for women to stop kowtowing to men and to develop their own voices. Unfortunately, excepting a charming spider and some unruly teens, the story isn’t all that interesting.
