Tuesday, 2 June 2026

The Wish List by Eoin Colfer (Penguin) | review by Douglas J. Ogurek

Battle for a soul: reluctant perpetrator reunited with victim in touching young adult novel that examines resentment, vengeance, friendship, and the relationship between young and old.

A teen fantasy tale bursting with creativity, The Wish List introduces a world in which Satan commands his number two, Beelzebub  or “Bub” as the dark lord calls him  to capture the soul of 14-year-old Meg Finn after she dies following a botched robbery. Meg’s mother is dead, and the devil is particularly interested in Meg because of something awful she did to her ne’er-do-well stepfather. 

In this domain, dead people have auras: blue if they’re good and red if they’re bad. Meg’s happens to be purple. 

After the explosion, Meg’s unsavoury co-conspirator Belch gets merged with his pit bull and goes straight to hell. Meg, however, gets another chance on Earth, where she decides to help Lowrie McCall (the pensioner they tried to rob) fulfil four long-held wishes ranging from reclaiming lost opportunities to seeking vengeance on those who’ve wronged him. 

Beelzebub enlists the now-dead 16-year-old Belch to stop Meg from helping Lowrie (and therefore doing good). A computer whizz named Myishi uses an often-annoying holographic demon to accompany and advise Belch. If Beelzebub and Belch stop Meg from doing good, she goes to hell; if they don’t, they’re going to be in hot water. 

While the structure of the novel is familiar, the creativity of the setting and the coming together of two flawed and initially antagonistic protagonists earn the reader’s buy-in. Eoin Colfer’s version of hell and its denizens is entertaining. Satan and Beelzebub nonchalantly dole out punishments. The latter even has a direct line to Saint Peter, from whom he attempts to extract information about Meg. Interestingly, whereas the bad guys are pursuing Meg, the good guys are mostly detached and letting her do her own thing.

Additionally, the omniscient point of view in which the author flips between characters’ thoughts in the same scene works. Meg’s ability to get into Lowrie’s head to see his past or invite him into hers paves the way for extended backstory scenes that help the protagonists sympathise with one another because they’ve both been through some difficult times. 

The Wish List offers an experience where reinvented biblical characters engage in captivating contemporary dialogue, technology has made its way into hell, an act of love can embody God and banish evil from the room, and old and young can learn from each other. And it all leads to a poignant ending that uses an unexpected sensory impression to tug at the heartstrings. Douglas J. Ogurek ****


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