Armada by Ernest Cline | review by Stephen Theaker

Zack Lightman’s dad died in an explosion at a sewage treatment plant, and it made the papers so everyone knows. That was back in 1999. A bully called Douglas Knotcher once took the mickey about it, and got battered to a pulp after Zack went into a blind rage. He’s been trying to live it down, but it hurts to miss his dad so much while finding his death so humiliating. His mum kept all his dad’s stuff in boxes up in the attic. Zack watched his videos, played his games, and wore his jacket covered in high score patches.

Star Wars: Maul – Lockdown by Joe Schreiber / review by Jacob Edwards

Blowing the horns of dilemma.

When the first Star Wars prequel, A Phantom Menace, was unveiled with grandiose, heraldic fanfare across cinema screens in 1999, the lightsaber thrum of expectation was always likely to sputter and fizzle. Disappointed, we were, and not just with Jar Jar Binks. There was also Darth Maul: the red-skinned, horned and tattooed, mad-eyed, devil-modelled Sith Lord, whose agility and snarling savagery promised a danger no less than that of the dark, prowling power of Vader, but whose ultimate delivery – standing non compos mentis while an erstwhile-dangling Obi-Wan springs up and out of the reactor shaft, force-grabs Qui-Gon Jinn’s lightsaber, somersaults over Maul’s head and cuts him in half – proved utterly, almost insultingly flaccid. This was someone with the Force aptitude to wield a double-bladed lightsaber and take on two Jedi simultaneously. To die with such ineptness… It was a dramatic let-down, the emotionally hollow like of which could only be achieved by such clumsy scripting as having Obi-Wan Kenobi, rather than allowing Darth Vader to strike him down in A New Hope, instead merely tripping on his own robes and accidentally impaling himself on Vader’s lightsaber. To have Maul dispatched in so undignified a manner was to reduce a martial virtuoso to the level of an extra from Japanese fight-fantasy Monkey, and pratfalling along with him went any aspirations the prequelogy might have harboured to match strokes with the original Star Wars saga.

Vale, Darth Maul: the true phantom menace of the film.

Apocalypse Now Now by Charlie Human / review by Tim Atkinson

With fantasy these days increasingly resembling the long tail of YA fiction, it’s a post-Potter world in which we’re living now.

And Apocalypse Now Now (Century, pb), the debut novel by South African Charlie Human, exemplifies that shift. Cannily positioned on the cusp of YA and proper grown-up fantasy, it owes a sizeable debt to J.K. Rowling’s creation, even when it’s reacting against it. Indeed, much of its appeal comes from its simultaneous celebration and subversion of the usual teenage wish-fulfilment tropes against the colourful backdrop of Cape Town.