This four-hundred page Kindle edition collects issues 284 to 296 (and the first annual) of the series that had previously been Superboy and the Legion of Super-Heroes, from 1982 and 1983. This includes the introduction of the team’s first brown-skinned human member (a new Invisible Kid) during an attack by Computo, and “The Great Darkness Saga”, a lengthy story whose long-teased surprise villain is rather given away by his appearance on the front cover of this book. This is what I think of as the real Legion. Reading these stories again, all these years later, fully restored, colour reconstructed, in the right order, with no missing issues, was little short of joyous. The stories stand up. Saturn Girl, Light Lass and Shrinking Violet can be a bit drippy in these issues, but to be fair the boys cry a lot too, and they are all going through a rough time. It has a huge, imaginative and entertainingly fractious cast of heroes, a universe full of danger and adventure, and a knack for switching from jokes to deadly seriousness as the stories require. A lot of the comics I read last year were perfectly decent, but this was a startling reminder of what it was like to read a comic I had truly loved for decades. *****
Merry Christmas! Hope you enjoy your presents as much as I enjoyed this! – SWT
Showing posts with label Keith Giffen. Show all posts
Showing posts with label Keith Giffen. Show all posts
Monday, 25 December 2017
Monday, 3 October 2016
Showcase Presents Ambush Bug, by Keith Giffen, Robert Loren Fleming and friends (DC Comics) | review
A 488pp black and white collection of comics, mostly from the mid-eighties. The bulk of it comes from two mini-series, Ambush Bug (1985) and Son of Ambush Bug (1986), plus a couple of specials, his story from Secret Origins, and earlier guest appearances in Superman titles. Ambush Bug is the costumed identity of Irwin Schwab, who knows he’s in a comic, talks to his writers and artists, and doesn’t necessarily go from one page to the next in the usually accepted order. His best friend and adopted child is Cheeks the Toy Wonder, a stuffed toy, and his greatest foes are the Interferer, who messes with comics continuity because he can, and Argh-Yle, a sock from a spaceship that got squashed by a radioactive space-spider, came to life and became a supervillain, and now tries to conquer the world with living socks from a chest of drawers (The Bureau) orbiting the planet. Reading that back, it’s hard to understand why I didn’t like it very much. It sounds like a lot of fun, and Deadpool has had great success with a similar shtick. But I laughed only three or four times in the course of all these pages (the best being when Keith Giffen’s famous nine-panel layouts are said to be inspired by Celebrity Squares). Maybe it’s the lack of colour in this edition, which makes all the busy, busy pages a bit hard to read, or that there’s so much frantically packed in, which might have worked better taken in single issue doses. A lot of the humour is aimed at comics and controversies in the field from the mid-eighties, and though I’ve read enough of those to get the gist, I didn’t find them funny. Maybe the clue is in the panel five pages from the end where Ambush Bug declares “I hate British humour”. Though I do appreciate the cleverness there of spelling it with a U. Stephen Theaker **
Monday, 8 August 2016
Planetary Brigade, by J.M. DeMatteis, Keith Giffen, Julia Bax and chums (BOOM! Studios) | review
The Planetary Brigade is a team of mismatched superheroes from the writers of Justice League International. Captain Valour, the Grim Knight and Earth Mother are analogues of Superman, Batman and Wonder Woman, the first two played for laughs, as if the chummy Superman of the fifties teamed up with the Batman of the nineties. Purring Pussycat is a former supervillain who joined the team after becoming disenchanted with mentor Mister Master, two feuding brothers in one body who will destroy the world if he can’t conquer it. Mister Brilliant is an obese genius in a weaponised hoverchair who runs a comic book store in his spare time.
The standout characters are the Third Eye, the team’s female Phantom Stranger/John Constantine/Doctor Strange, and the Mauve Visitor, an ambi-sexual acerbic alien with a taste for the finer things in life.
The book is a bit of a jumble, collecting a two-issue series illustrated by several artists in each issue and a three-issue series that jumps around the group’s timeline. On the whole it works, and though the art styles change from page to page it’s all good. It’s not as funny as the JLI, but I devoured dozens of issues of that comic all at once so there was time for the running jokes to hit top speed. A scene at the end hits a bum note, where a kiss with a trans character is said to be less scandalous because she’s has sex-change surgery. Not my place to forgive it that clumsiness, but at least the book is trying to be progressive and accepting.
A more cohesive follow-up with a longer present-day adventure for the team would be very welcome. Stephen Theaker ***
The standout characters are the Third Eye, the team’s female Phantom Stranger/John Constantine/Doctor Strange, and the Mauve Visitor, an ambi-sexual acerbic alien with a taste for the finer things in life.
The book is a bit of a jumble, collecting a two-issue series illustrated by several artists in each issue and a three-issue series that jumps around the group’s timeline. On the whole it works, and though the art styles change from page to page it’s all good. It’s not as funny as the JLI, but I devoured dozens of issues of that comic all at once so there was time for the running jokes to hit top speed. A scene at the end hits a bum note, where a kiss with a trans character is said to be less scandalous because she’s has sex-change surgery. Not my place to forgive it that clumsiness, but at least the book is trying to be progressive and accepting.
A more cohesive follow-up with a longer present-day adventure for the team would be very welcome. Stephen Theaker ***
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