Juvenile premise spurs tour de force of eccentricity, turns contemporary horror film formula on its head As I walk out of a horror film, I’m typically thinking one of three things: great, so-so, or crap. However, every once in a while, there is another thought: did I like this film? Such was my initial reaction to director Kevin Smith’s Tusk (2014), a film whose premise involves a madman who wants to physically and psychologically transform another man into a walrus. Yes. You read that correctly.
