This is how you make a second season. It takes everything that was right about the first season – Ash the selfish jerk, buckets of blood, a teenagerish desire to shock, and an anything goes sensibility – and turns up the dial on all of it as far as it will go, then breaks the dial off, jams its own fingers into the hole where the dial used to be, and twists it even further. This reviewer and his night-time television buddy were constantly looking at each other in amazement, slapping our knees, and letting out howls at the grossness. It even led to a falling-out at one point when your reviewer was told to stop laughing so loud because it was going to stop the children sleeping, even though the thing on screen was probably the single funniest thing this reviewer had ever seen in his life.
After the events of season one, Ash and his two pals are living life large in a beach party town, but it won’t last, and soon they are on their way back to where it all started: Ash’s home town, and the original cabin in the woods. Ash meets his dad again, and his dad is played by Lee Majors. Episodes still last for half an hour, and there’s even less filler this season, each part trying to top the blood, gore and ridiculous over-the-topitude of the one that came before – and largely succeeding. My one criticism: I’m still not a fan of the gendered language thrown at women when possessed by the evil dead – apart from not enjoying those terms being used by the heroes, it doesn’t make any sense, because it’s not the women who are evil, it’s the monsters possessing them. It feels like a slander on someone who has already been unfortunate enough to die horribly. ****
This review originally appeared in Theaker's Quarterly Fiction #59, which also included stories by Rafe McGregor, Michael Wyndham Thomas, Jessy Randall, Charles Wilkinson, David Penn, Elaine Graham-Leigh and Chris Roper.
Showing posts with label Sam Raimi. Show all posts
Showing posts with label Sam Raimi. Show all posts
Monday, 30 October 2017
Friday, 7 October 2016
Ash vs Evil Dead, by Ivan Raimi and chums (Starz/Virgin Media) | review by Stephen Theaker
Ash Williams is a sexist jerk with an unfortunate tendency to unleash the forces of hell upon the world. Thirty years ago he found a Necronomicon while on a trip to a cabin in the woods with his girlfriend, and ended up having to squash her head in a vice and cut off his own hand with a chainsaw. Neither has forgiven him. As this ten-part series starts, the Deadites have been quiet for a while, but he still keeps a boomstick in his mobile home. It proves handy after the idiot gets high with a sozzled friend and reads from his Necronomicon… The evil dead return in force, and so Ash, reluctantly, gathers friends to help in the fight. It’s all a bit daft – the spirits seem to be able to take over anybody whenever they like, so the only reason Ash survives is presumably because they like playing with him – but it doesn’t quite reach the stark raving lunacy of Evil Dead II. There are lots of good jump scares, some excellent monsters and one-liners, and it is refreshingly gory. The half hour format works well for the show – it would be hard to keep up the intensity for an hour. Ash’s boorishness and the misogyny of the language used when female characters are possessed is partly balanced by a diverse cast. Ash develops an appealing relationship with Special Agent Fisher, an African-American cop who seems to like him for the idiot that he is, and the scenes with his two likeable protégés are always watchable – they’re a bit like the Doctor, Rory and Amy, if the Doctor were a buffoon and Rory worshipped him anyway. ***
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