In
Hatchet Job (Picador, digital audiobook, 7 hrs 53 mins;
Audible purchase) Mark Kermode, perhaps the UK’s most prominent film critic and certainly one of its most respected, covers all the big issues involved in writing reviews: being honest and only saying things you actually believe, trying to get the facts right, writing well, being entertaining, and, sometimes, changing your mind. He talks about the review as an art form in itself, and speaks scathingly of the idea that the only critics of any worth are those hoping to become film-makers. Kevin Smith, who espoused that view and, for example, cancelled the screenings of
Red State for UK critics at the last minute, comes in for a great deal of criticism, as does Harry Knowles of Ain’t It Cool News, for his habit of publishing any old nonsense that his readers might find interesting, whatever its source, and his practice of publishing anonymous reviews of unfinished films.
