Notes and ratings from TQF50 and TQF51 for books I didn’t review for TQF. Credits from Goodreads; apologies to anyone miscredited or missing.
Axe Cop, Vol 2: Bad Guy Earth (Dark Horse Comics), by Malachai Nicolle and Ethan Nicolle. Nothing could ever be quite as hilarious as Axe Cop, Vol. 1, which made me laugh so much the sides of my eyes were sore for days from wiping away the tears, and this isn’t, but it comes pretty close. Axe Cop and friends have to battle two psychic bad guys who want to turn everyone on Earth into bad guys. Written by a little kid and drawn by his grown-up brother, this does a great job of harnessing the imaginative fireworks that go off whenever children start to rattle off stories. ****
Baltimore, Vol. 2: The Curse Bells (Dark Horse Books) by Mike Mignola, Christopher Golden and Ben Stenbeck. A story in five chapters, which begins with a betrayal in Lucerne. Baltimore searches for the vampire Haigus, who he first encountered on the bloodstained fields of World War One. ***
Baltimore, Vol. 3: A Passing Stranger (Dark Horse Books) by Mike Mignola, Christopher Golden and Ben Stenbeck. Lord Baltimore fights his way through five short stories, hunting for his hated enemy. ***
Batman: The Black Mirror (DC Comics), by Scott Snyder, Jock, Francesco Francavilla. Good story about Batman (Dick Grayson, who I think might be my favourite Batman) fighting a weird secret society. ***
Be a Sex-Writing Strumpet (self-published) by Stacia Kane. Reading this didn’t half make me blush. It compiles a series of blog posts on the subject of writing sex scenes, principally for erotic novels. I don’t often include that stuff in my writing, but I’d read some sensible blog posts on responding to reviews by the author and wanted to buy something of hers. And it was useful to me: much of what she says can be applied to other kinds of action. It’s good, though some readers may feel it could have used a rewrite to make it more bookish and less bloggy. ***
Billy’s Book (PS Publishing) by Terry Bisson. A short PS Publishing collection of deliberately fragmentary and repetitive stories about a boy who has odd stuff turn up at his house, like giant ants and wizards and unicorns. They’re okay, but it was a bit of a surprise at the end to see what starry venues they had originally appeared in. ***
Black and Brown Planets: The Politics of Race in Science Fiction (University Press of Mississippi), by Isiah Lavender III (ed.). Interesting book of essays. Two about one episode of Star Trek: Deep Space 9 are maybe a bit much, and given the title it seems odd that it doesn’t cover India, the country that might well come to lead the space race (the “Brown” section is more about South America), but I learnt a lot from it. Like any book of literary criticism, it can be dull, but that’s outweighed by the issues, authors and stories it works so carefully to bring to our attention. A few essays make great claims without much evidence, but all provide much to think about; it opens up the conversation, rather than having the last word. Walter Mosley is quoted inside as saying: “The power of science fiction is that it can tear down the walls and windows, the artifice and laws by changing the logic, empowering the disenfranchised or simply by asking, What if?” Black and Brown Planets shows how writers and critics are doing just that. Reviewed in full for Interzone #255. ****
Black Science, Vol. 1: How to Fall Forever (Image Comics), by Rick Remender, Matteo Scalera, Dean White. Begins with a pair of scientists dashing through a bizarre alien world, desperate to get back to the children who will die if they don’t get back in time. As the story goes on, it begins to feel a bit like Sliders or Primeval, one of those shows where characters pitch up in a place and have to get out again. It’s better than either of those so far, let’s hope that continues. The art is spectacular. ***
Friday, 29 May 2015
Friday, 22 May 2015
Book notes #1
Notes and ratings from TQF50 and TQF51 for books I didn’t review. Credits from Goodreads; apologies to anyone miscredited or missing.
Abe Sapien, Vol. 1: The Drowning (Dark Horse Books), by Mike Mignola, Mike Alexander and Jason Shawn. Moody and spooky story of Hellboy’s aquatic chum. ***
Adventure Time, Vol. 1: Playing With Fire (KaBOOM!), by Danielle Corsetto. A black and white Adventure Time graphic novel featuring the Flame Princess. ***
Adventure Time, Vol. 2: Pixel Princesses (KaBOOM!), by Danielle Corsetto and Zack Sterling. Another black and white graphic novel, this time featuring several of the princesses as they get stuck inside their computer pal. Bought for the children (possibly by the children with their pocket money) but I enjoyed it too. ***
Afterlife with Archie, Vol. 1: Escape from Riverdale (Archie Comics), by Roberto Aguirre-Sacasa and Francesco Francavilla. Interesting alternative take on the gang. Shows real understanding of the characters. Doesn’t have a proper ending. ***
Amazing Screw-On Head and Other Curious Objects (Dark Horse Comics), by Mike Mignola and Dave Stewart. Collecting weird tales by Hellboy creator Mike Mignola. The lead story is about a head who can screw himself into various bodies, and does so in order to help the President, Abraham Lincoln. ****
Amelia Cole and the Hidden War (Monkeybrain Comics), by Adam P. Knave, D.J. Kirkbride and Nick Brokenshire. Book two. Amelia works as the city’s magic sheriff while her predecessor fights in a magical war. ***
Amelia Cole and the Unknown World (Monkeybrain Comics), by Adam P. Knave, D.J. Kirkbride and Nick Brokenshire. Book one in a well-drawn and readable series about a young woman who can do magic. ***
American Elf 2009 (Top Shelf Productions), by James Kochalka. Kochalka’s daily comics from 2009. ***
American Elf 2010 (Top Shelf Productions), by James Kochalka. Kochalka’s daily comics from 2010. ***
American Elf 2011 (Top Shelf Productions), by James Kochalka. Kochalka’s daily comics from 2011. ****
American Elf 2012 (Top Shelf Productions), by James Kochalka. Conclusion of the wonderful autobiographical series. *****
Angel and Faith, Vol. 1: Live Through This (Dark Horse Books) by Christos Gage, Scott Allie, Rebekah Isaacs and Phil Noto. Vampire with a soul Angel did some stuff recently that he feels bad about, and he’s trying to put things right. Naughty vampire slayer Faith owes him one from back in the day so she’ll stick by his side, even though she thinks he’s making a mistake. The first story sees them tracking down the source of an elixir of life, and the second brings back Harmony, still the world’s most famous celebrity vampire. Enjoyable without being essential; I think Angel and Faith are both characters who benefit from a bit of offscreen time. Watch out for the spoiler for volume two in the artist’s notes at the back. ***
Asterix and the Magic Carpet (Orion), by Albert Uderzo. Asterix goes to India, in theory. It seems more like Arabia. ***
Asterix in Corsica (Orion), by René Goscinny and Albert Uderzo. Not the best in the series. ***
Asterix in Switzerland (Orion), by René Goscinny and Albert Uderzo. Very funny. Reminded me why I loved Asterix so much as a youngster. ****
Avengers Assemble (Marvel) by Brian Michael Bendis and Mark Bagley. Collecting a blockbuster mini-series where the Avengers team up with the Guardians of the Galaxy to take on Thanos, who’s got his hands on a new cosmic cube and an army of Badoon. It’s not too bad, and the artwork is good, but the story struggles to fill eight issues and Gamora wears an appallingly sexist outfit that looks like Borat’s swimming costume. ***
Abe Sapien, Vol. 1: The Drowning (Dark Horse Books), by Mike Mignola, Mike Alexander and Jason Shawn. Moody and spooky story of Hellboy’s aquatic chum. ***
Adventure Time, Vol. 1: Playing With Fire (KaBOOM!), by Danielle Corsetto. A black and white Adventure Time graphic novel featuring the Flame Princess. ***
Adventure Time, Vol. 2: Pixel Princesses (KaBOOM!), by Danielle Corsetto and Zack Sterling. Another black and white graphic novel, this time featuring several of the princesses as they get stuck inside their computer pal. Bought for the children (possibly by the children with their pocket money) but I enjoyed it too. ***
Afterlife with Archie, Vol. 1: Escape from Riverdale (Archie Comics), by Roberto Aguirre-Sacasa and Francesco Francavilla. Interesting alternative take on the gang. Shows real understanding of the characters. Doesn’t have a proper ending. ***
Amazing Screw-On Head and Other Curious Objects (Dark Horse Comics), by Mike Mignola and Dave Stewart. Collecting weird tales by Hellboy creator Mike Mignola. The lead story is about a head who can screw himself into various bodies, and does so in order to help the President, Abraham Lincoln. ****
Amelia Cole and the Hidden War (Monkeybrain Comics), by Adam P. Knave, D.J. Kirkbride and Nick Brokenshire. Book two. Amelia works as the city’s magic sheriff while her predecessor fights in a magical war. ***
Amelia Cole and the Unknown World (Monkeybrain Comics), by Adam P. Knave, D.J. Kirkbride and Nick Brokenshire. Book one in a well-drawn and readable series about a young woman who can do magic. ***
American Elf 2009 (Top Shelf Productions), by James Kochalka. Kochalka’s daily comics from 2009. ***
American Elf 2010 (Top Shelf Productions), by James Kochalka. Kochalka’s daily comics from 2010. ***
American Elf 2011 (Top Shelf Productions), by James Kochalka. Kochalka’s daily comics from 2011. ****
American Elf 2012 (Top Shelf Productions), by James Kochalka. Conclusion of the wonderful autobiographical series. *****
Angel and Faith, Vol. 1: Live Through This (Dark Horse Books) by Christos Gage, Scott Allie, Rebekah Isaacs and Phil Noto. Vampire with a soul Angel did some stuff recently that he feels bad about, and he’s trying to put things right. Naughty vampire slayer Faith owes him one from back in the day so she’ll stick by his side, even though she thinks he’s making a mistake. The first story sees them tracking down the source of an elixir of life, and the second brings back Harmony, still the world’s most famous celebrity vampire. Enjoyable without being essential; I think Angel and Faith are both characters who benefit from a bit of offscreen time. Watch out for the spoiler for volume two in the artist’s notes at the back. ***
Asterix and the Magic Carpet (Orion), by Albert Uderzo. Asterix goes to India, in theory. It seems more like Arabia. ***
Asterix in Corsica (Orion), by René Goscinny and Albert Uderzo. Not the best in the series. ***
Asterix in Switzerland (Orion), by René Goscinny and Albert Uderzo. Very funny. Reminded me why I loved Asterix so much as a youngster. ****
Avengers Assemble (Marvel) by Brian Michael Bendis and Mark Bagley. Collecting a blockbuster mini-series where the Avengers team up with the Guardians of the Galaxy to take on Thanos, who’s got his hands on a new cosmic cube and an army of Badoon. It’s not too bad, and the artwork is good, but the story struggles to fill eight issues and Gamora wears an appallingly sexist outfit that looks like Borat’s swimming costume. ***
Monday, 18 May 2015
Ten tips for a happy marriage
1. Marry someone who already knows what a jerk you are.
2. If you have a row sleep at the opposite end of the bed rather than stomping off to sleep somewhere else. It's hard to be mad at someone's feet for what their mouth said.
3. Marry someone who likes the same TV programmes, because it's always going to be a cheap easy way to have fun together.
4. If possible, try to go to bed at the same time.
5. But get a Kindle with a built-in light so that you don't need to keep the lamp on.
6. Marry someone who thinks you're funny.
7. Be aware of their minimum expectations in the relationship and make sure you meet them.
8. Divide the household tasks up cleanly so that there's no arguing over whose turn it is to do something.
9. Never leave an empty toilet roll behind.
10. Be lucky.
If you've got any tips of your own, please let me have them in the comments! Our twentieth anniversary is now almost within reach and it would be a terrible shame if I fell at the last hurdle!
Avengers: Age of Ultron | review by Douglas J. Ogurek
Sequel soars with Super Bowl style entertainment.
Our beloved heroes are back to decimate evil, attack our pocketbooks, decrease our IQ, and lavish us with non-stop action.
Avengers: Age of Ultron pumps up the adrenaline of the box office record-breaking Avengers Assemble (2012). The sequel stands as a treatise on the values of friendship and loyalty, as well as a commentary on the redemptive qualities of humanity. Plus it has lots of explosions.
Our beloved heroes are back to decimate evil, attack our pocketbooks, decrease our IQ, and lavish us with non-stop action.
Avengers: Age of Ultron pumps up the adrenaline of the box office record-breaking Avengers Assemble (2012). The sequel stands as a treatise on the values of friendship and loyalty, as well as a commentary on the redemptive qualities of humanity. Plus it has lots of explosions.
Friday, 15 May 2015
The Hobbit: The Battle of the Five Armies | review by Jacob Edwards
Heigh-ho, heigh-ho, it’s off to orc we go.
For many months I disavowed my ring finger’s insistent tingle to review
The Battle of the Five Armies. This was not because I hold J.R.R. Tolkien or Peter Jackson in any way sacred (although I do esteem The Frighteners), but rather because there seemed no way into the task. I felt, like Bilbo Baggins, too small to embark upon such an adventure. I hadn’t even read The Hobbit.
For many months I disavowed my ring finger’s insistent tingle to review
The Battle of the Five Armies. This was not because I hold J.R.R. Tolkien or Peter Jackson in any way sacred (although I do esteem The Frighteners), but rather because there seemed no way into the task. I felt, like Bilbo Baggins, too small to embark upon such an adventure. I hadn’t even read The Hobbit.
Monday, 11 May 2015
The Glorkian Warrior Eats Adventure Pie by James Kochalka | review by Stephen Theaker
The Glorkian Warrior is a Groo-ish idiot whose best friend is his Rufferto-ish Super Backpack, which can shoot lasers and talk, not that the Glorkian Warrior ever takes its advice. The two of them of them previously appeared in a fun iOS game The Trials of Glork (reviewed here) and a graphic novel, The Glorkian Warrior Delivers a Pizza (reviewed here).
Friday, 8 May 2015
Space Battleship Yamato | review by Jacob Edwards
A wave motion gun blast from the past.
The animated franchise Space Battleship Yamato holds a similar place in Japanese popular culture as Star Wars does in that of America and other countries of the Hollywood-suckled West. Debuting as a 26-episode series in 1974, Space Battleship Yamato continued its interstellar voyage through two further seasons (1978, 1980) and spawned five feature films between 1978 and 2009. When it opened late in 2010, Takashi Yamazaki’s remake – the first live action production of Yamato and a retelling of the space battleship’s original mission – blasted Harry Potter and the Deathly Hallows (Part 1) from the #1 spot in Japan’s box office.
The animated franchise Space Battleship Yamato holds a similar place in Japanese popular culture as Star Wars does in that of America and other countries of the Hollywood-suckled West. Debuting as a 26-episode series in 1974, Space Battleship Yamato continued its interstellar voyage through two further seasons (1978, 1980) and spawned five feature films between 1978 and 2009. When it opened late in 2010, Takashi Yamazaki’s remake – the first live action production of Yamato and a retelling of the space battleship’s original mission – blasted Harry Potter and the Deathly Hallows (Part 1) from the #1 spot in Japan’s box office.
Tuesday, 21 April 2015
Theaker’s Quarterly Fiction #51: now available for free download!
free epub | free mobi | free pdf | print UK | print USA | Kindle UK | Kindle US
Welcome to Theaker’s Quarterly Fiction #51! We have six stories for you this time: “Too Much Light Makes the Day Go Blind” by Marshall Moore, “One Slough and Crust of Sin” by Walt Brunston, “Water Imperial” by Charles Wilkinson, “The Assassin’s Lair” by Howard Phillips, “Whale on a Tilt” by Andrea M. Pawley and “Cybertronica” by Antonella Coriander. There are also fifteen reviews, by Stephen Theaker, Douglas J. Ogurek and Jacob Edwards.
We review books by Lavie Tidhar, Grant Morrison and Steve Yeowell, Henry Kuttner, David Ramirez and Joe Abercrombie, plus a Brenda & Effie audio play by Paul Magrs. We also consider Space Battleship Yamato, Jupiter Ascending, The Hobbit: The Battle of the Five Armies (twice), the Kindle Voyage, the Amazon Fire TV, season 9 of Supernatural, season 1 of The Leftovers, and season 1 of Constantine.
Here are the contributors to this post-celebration hangover issue:
Andrea M. Pawley’s spirit animal is the piranhamoose. Hear her burble-roar at http://www.andreapawley.com.
Antonella Coriander has a plan, but she isn’t saying what it is yet. Her story in this issue, “Cybertronica”, is the fifth episode of her ongoing Oulippean serial, Les aventures fantastiques de Beatrice et Veronique.
Charles Wilkinson’s story in this issue is “Water Imperial”, about the peculiar goings-on at the Imperial Spa Hotel and Conference Centre. His publications include The Pain Tree and Other Stories and Ag & Au. His stories have appeared in Best Short Stories 1990, Best English Short Stories 2, Midwinter Mysteries, Unthology, London Magazine, Able Muse Review, and in genre publications such as Supernatural Tales, Phantom Drift, Horror Without Victims, The Sea in Birmingham, Sacrum Regnum, Rustblind and Silverbright and Shadows & Tall Trees. New short stories are forthcoming in Ninth Letter and Bourbon Penn.
Douglas J. Ogurek’s work has appeared in the BFS Journal, The Literary Review, Morpheus Tales, Gone Lawn, and several anthologies. He lives in a Chicago suburb with the woman whose husband he is and their five pets. This time he reviews The Hobbit: The Battle of the Five Armies. His website can be found at: http://www.douglasjogurek.weebly.com.
Howard Phillips is a dissolute poet whose contributions to this zine have ranged from the mediocre to the abysmal. In this issue he continues his latest autobiographical tale, A Dim Star Is Born, in “The Assassin’s Lair”. The previous instalment received such bad reviews that he wept for three days, burned seventeen unpublished novels, and wrote a series of angry blog posts accusing various parties of disparaging his genius. We asked him why he had taken it so badly, and he replied, “If you need to ask, you’ll never know.”
Howard Watts is a writer, artist and composer living in Seaford who provides the cover art for this issue. His artwork can be seen in its native resolution on his deviantart page: http://hswatts.deviantart.com. His novel The Master of Clouds is now available on Kindle.
Jacob Edwards flies with Australia’s speculative fiction flagship Andromeda Spaceways Inflight Magazine, but meets us in the pub between runs. This writer, poet and recovering lexiphanicist’s website is at http://www.jacobedwards.id.au. He also has a Facebook page at http://www.facebook.com/JacobEdwardsWriter, where he posts poems and the occasional oddity. Like him and follow him! In this issue he reviews The Forever Watch by David Ramirez, Space Battleship Yamato and The Hobbit: The Battle of the Five Armies.
Marshall Moore makes his TQF debut in this issue with “Too Much Light Makes the Day Go Blind”. He is the author of four novels (Bitter Orange, An Ideal for Living, The Concrete Sky and Murder in the Cabaret Sauvignon) and three short-fiction collections (The Infernal Republic, Black Shapes in a Darkened Room, and the forthcoming A Garden Fed by Lightning). With Xu Xi, he is the co-editor of the anthology The Queen of Statue Square: New Short Fiction from Hong Kong. In addition to his work as an author, he is the principal at Typhoon Media Ltd, an independent publishing company based in Hong Kong, and he is a PhD candidate in Creative Writing at Aberystwyth University in Wales. For more information, see http://www.marshallmoore.com.
Stephen Theaker’s reviews have appeared in Black Static, Interzone, Prism and the BFS Journal, as well as clogging up our pages. He shares his home with three slightly smaller Theakers, runs the British Fantasy Awards, and works in legal and medical publishing.
Walt Brunston’s story in this issue is “One Slough and Crust of Sin”, his adaptation of issue two of The Two Husbands. We don’t know where he got those comics – apparently he’s got the full run. We’ve never been able to find them in the UK. He’s said that if we ever cross the pond he’ll let us stay over and read them, but they have guns in the USA, and no NHS, which seems to us a remarkably dangerous combination.
As ever, all back issues of Theaker’s Quarterly Fiction are available for free download.
Welcome to Theaker’s Quarterly Fiction #51! We have six stories for you this time: “Too Much Light Makes the Day Go Blind” by Marshall Moore, “One Slough and Crust of Sin” by Walt Brunston, “Water Imperial” by Charles Wilkinson, “The Assassin’s Lair” by Howard Phillips, “Whale on a Tilt” by Andrea M. Pawley and “Cybertronica” by Antonella Coriander. There are also fifteen reviews, by Stephen Theaker, Douglas J. Ogurek and Jacob Edwards.
We review books by Lavie Tidhar, Grant Morrison and Steve Yeowell, Henry Kuttner, David Ramirez and Joe Abercrombie, plus a Brenda & Effie audio play by Paul Magrs. We also consider Space Battleship Yamato, Jupiter Ascending, The Hobbit: The Battle of the Five Armies (twice), the Kindle Voyage, the Amazon Fire TV, season 9 of Supernatural, season 1 of The Leftovers, and season 1 of Constantine.
- Too Much Light Makes the Day Go Blind, Marshall Moore
- “One Slough and Crust of Sin”, Walt Brunston
- Water Imperial, Charles Wilkinson
- The Assassin’s Lair, Howard Phillips
- Whale on a Tilt, Andrea M. Pawley
- Cybertronica, Antonella Coriander
- The Quarterly Review
- Also Read
- Also Reviewed
- Forthcoming Attractions
Here are the contributors to this post-celebration hangover issue:
Andrea M. Pawley’s spirit animal is the piranhamoose. Hear her burble-roar at http://www.andreapawley.com.
Antonella Coriander has a plan, but she isn’t saying what it is yet. Her story in this issue, “Cybertronica”, is the fifth episode of her ongoing Oulippean serial, Les aventures fantastiques de Beatrice et Veronique.
Charles Wilkinson’s story in this issue is “Water Imperial”, about the peculiar goings-on at the Imperial Spa Hotel and Conference Centre. His publications include The Pain Tree and Other Stories and Ag & Au. His stories have appeared in Best Short Stories 1990, Best English Short Stories 2, Midwinter Mysteries, Unthology, London Magazine, Able Muse Review, and in genre publications such as Supernatural Tales, Phantom Drift, Horror Without Victims, The Sea in Birmingham, Sacrum Regnum, Rustblind and Silverbright and Shadows & Tall Trees. New short stories are forthcoming in Ninth Letter and Bourbon Penn.
Douglas J. Ogurek’s work has appeared in the BFS Journal, The Literary Review, Morpheus Tales, Gone Lawn, and several anthologies. He lives in a Chicago suburb with the woman whose husband he is and their five pets. This time he reviews The Hobbit: The Battle of the Five Armies. His website can be found at: http://www.douglasjogurek.weebly.com.
Howard Phillips is a dissolute poet whose contributions to this zine have ranged from the mediocre to the abysmal. In this issue he continues his latest autobiographical tale, A Dim Star Is Born, in “The Assassin’s Lair”. The previous instalment received such bad reviews that he wept for three days, burned seventeen unpublished novels, and wrote a series of angry blog posts accusing various parties of disparaging his genius. We asked him why he had taken it so badly, and he replied, “If you need to ask, you’ll never know.”
Howard Watts is a writer, artist and composer living in Seaford who provides the cover art for this issue. His artwork can be seen in its native resolution on his deviantart page: http://hswatts.deviantart.com. His novel The Master of Clouds is now available on Kindle.
Jacob Edwards flies with Australia’s speculative fiction flagship Andromeda Spaceways Inflight Magazine, but meets us in the pub between runs. This writer, poet and recovering lexiphanicist’s website is at http://www.jacobedwards.id.au. He also has a Facebook page at http://www.facebook.com/JacobEdwardsWriter, where he posts poems and the occasional oddity. Like him and follow him! In this issue he reviews The Forever Watch by David Ramirez, Space Battleship Yamato and The Hobbit: The Battle of the Five Armies.
Marshall Moore makes his TQF debut in this issue with “Too Much Light Makes the Day Go Blind”. He is the author of four novels (Bitter Orange, An Ideal for Living, The Concrete Sky and Murder in the Cabaret Sauvignon) and three short-fiction collections (The Infernal Republic, Black Shapes in a Darkened Room, and the forthcoming A Garden Fed by Lightning). With Xu Xi, he is the co-editor of the anthology The Queen of Statue Square: New Short Fiction from Hong Kong. In addition to his work as an author, he is the principal at Typhoon Media Ltd, an independent publishing company based in Hong Kong, and he is a PhD candidate in Creative Writing at Aberystwyth University in Wales. For more information, see http://www.marshallmoore.com.
Stephen Theaker’s reviews have appeared in Black Static, Interzone, Prism and the BFS Journal, as well as clogging up our pages. He shares his home with three slightly smaller Theakers, runs the British Fantasy Awards, and works in legal and medical publishing.
Walt Brunston’s story in this issue is “One Slough and Crust of Sin”, his adaptation of issue two of The Two Husbands. We don’t know where he got those comics – apparently he’s got the full run. We’ve never been able to find them in the UK. He’s said that if we ever cross the pond he’ll let us stay over and read them, but they have guns in the USA, and no NHS, which seems to us a remarkably dangerous combination.
As ever, all back issues of Theaker’s Quarterly Fiction are available for free download.
Friday, 10 April 2015
Gatchaman | review by Jacob Edwards
The tokenism of casting a bat (and batted eyelids) amongst the pigeons.
Anime pioneer Tatsuo Yoshida’s Science Ninja Team Gatchaman has gone through several permutations since the seminal television series of 1972, perhaps foremost of which is the fondly remembered English-language adaptation Battle of the Planets (1978). Gatchaman / Battle of the Planets centres around five orphans – Ken (Mark), Jun (Princess), Ryū (Tiny), Jinpei (Keyop) and Jō (Jason) – whose bird-themed ninja superpowers and techno-wizardry enable them to stand against the evil forces of Galactor (Spectra). Imagi Animation Studios (which released Astro Boy in 2009) began work on a Gatchaman feature film in 2004, but the project stalled, languished and eventually was cancelled in 2011. Gatchaman then rose again as a live action movie directed by Toya Sato and released by Nikkatsu Studios in 2013.
Anime pioneer Tatsuo Yoshida’s Science Ninja Team Gatchaman has gone through several permutations since the seminal television series of 1972, perhaps foremost of which is the fondly remembered English-language adaptation Battle of the Planets (1978). Gatchaman / Battle of the Planets centres around five orphans – Ken (Mark), Jun (Princess), Ryū (Tiny), Jinpei (Keyop) and Jō (Jason) – whose bird-themed ninja superpowers and techno-wizardry enable them to stand against the evil forces of Galactor (Spectra). Imagi Animation Studios (which released Astro Boy in 2009) began work on a Gatchaman feature film in 2004, but the project stalled, languished and eventually was cancelled in 2011. Gatchaman then rose again as a live action movie directed by Toya Sato and released by Nikkatsu Studios in 2013.
Wednesday, 8 April 2015
It Follows | review by Douglas J. Ogurek
Controlled study in terror rebels against contemporary horror tropes, explores teenage sexuality and parental influence
The image of Halloween’s (1978) Michael Myers, with his impenetrable motives and his patient pursuit of his single-minded purpose (to kill), has embedded itself in the horror aficionado’s consciousness. There is something quite unsettling about an impending threat that can’t be reasoned with. Clearly John Carpenter’s iconic film has influenced writer/director David Robert Mitchell’s It Follows, which exploits this strategy of approaching doom, coupled with creepy audio and smart filming techniques, to deliver an atmospheric masterpiece in which everything, from the proliferation of soda cans to the pronounced lapping of waves, is rich in implication.
The image of Halloween’s (1978) Michael Myers, with his impenetrable motives and his patient pursuit of his single-minded purpose (to kill), has embedded itself in the horror aficionado’s consciousness. There is something quite unsettling about an impending threat that can’t be reasoned with. Clearly John Carpenter’s iconic film has influenced writer/director David Robert Mitchell’s It Follows, which exploits this strategy of approaching doom, coupled with creepy audio and smart filming techniques, to deliver an atmospheric masterpiece in which everything, from the proliferation of soda cans to the pronounced lapping of waves, is rich in implication.
Friday, 3 April 2015
The X-Files: Season 10, Vol. 1 by Joe Harris and friends | review by Stephen Theaker
The X-Files: Season 10, Vol. 1 by Joe Harris, Carlos Valenzuela and Michael Walsh (IDW, tpb, 138pp) tries to follow the example of Buffy the Vampire Slayer: Season 8 in providing the comics continuation of a beloved and much-missed television series. Unlike Buffy, Mulder (as played by David Duchovny, until recently shedding his trousers twelve weeks a year on Californication) and Scully (Gillian Anderson, last seen on Hannibal and the BBC) had pretty much given up the fight by the time their series ended, their replacements Doggett (Robert Patrick) and Reyes (Annabeth Gish) taking the limelight up until the originals returned for the disappointingly low-key second feature film.
Wednesday, 1 April 2015
Insurgent | review by Douglas J. Ogurek
Heroine keeps fighting the system in slightly soppy, though ultimately triumphant sequel
In Divergent (2014), Beatrice “Tris” Prior and love interest Four put a dent in the Erudite/Dauntless alliance (between those who value knowledge above all else, and those who value bravery above all else) aimed at seizing control of a future Chicago whose inhabitants are divided into factions.
In Divergent (2014), Beatrice “Tris” Prior and love interest Four put a dent in the Erudite/Dauntless alliance (between those who value knowledge above all else, and those who value bravery above all else) aimed at seizing control of a future Chicago whose inhabitants are divided into factions.
Friday, 27 March 2015
Megalex: The Complete Story by Alejandro Jodorowsky and Fred Beltran | review by Stephen Theaker
Megalex: The Complete Story (Humanoids), by Alejandro Jodorowsky and Fred Beltran, takes us to a world where the rich literally bathe in the blood of the hoi polloi, the clones who gather for their appointment with death at the age of forty. The children left behind are told to watch out for the magical food parcels that fall from the sky. The ruling family are an ancient wizened magican, his sorceress wife, and their vampire daughter. Only two parts of the world escape their dominion: the haunted forest and the deadly sea.
Sunday, 22 March 2015
Available for pre-order: Space University Trent: Hyperparasite by Walt Brunston
Now available for pre-order, the first ebook novella from Theaker's Paperback Library. It's a reprint of Walt Brunston's Space University Trent: Hyperparasite, his adaptation of the classic (but rarely seen) television episode, which first appeared in TQF13. It'll be out on April 30.
In this short novella Mack Hardiman leads the spacefaring university's investigation into a lost colony on the world Adontis. The ebook also includes an introduction to this much-loved show and, for reference, a complete list of its episodes.
It's Kindle-only for the time being. Just 99p in the UK.
Amazon UK | Amazon US | Amazon DE
In this short novella Mack Hardiman leads the spacefaring university's investigation into a lost colony on the world Adontis. The ebook also includes an introduction to this much-loved show and, for reference, a complete list of its episodes.
It's Kindle-only for the time being. Just 99p in the UK.
Amazon UK | Amazon US | Amazon DE
Friday, 20 March 2015
In the Broken Birdcage of Kathleen Fair by Cate Gardner | review by Stephen Theaker
In the Broken Birdcage of Kathleen Fair (The Alchemy Press, ebook, 784ll) is an interesting novella by Cate Gardner, but the tone is a bit hard to describe. There are horrific elements, but it isn’t really horror. Comic horror fantasy, maybe? Weird fantasy? Kathleen Fair is in a room of objects that are too big for her – like a dressing table stool which comes up to her nose – but this isn’t a new development. She’s been here a while. What’s new is a mirror, through which she sees “a bloodshot eye pressed against the glass, its lashes long and spider-like”, before a man comes through: Frederick Schentenfreude III, who drains people of their scent in order to keep himself young. He will later decide that he wishes to marry Kathleen. She follows him out of the mirror, and sees the body of a boy, Bobby, that Schentenfreude has drained. She makes it her mission to restore him. I found it difficult to get a handle on this story; I’m not sure what it was aiming for, or whether it achieved it, which makes this rather a useless review. But I enjoyed reading it, and look forward to reading more from the same author. ***
Monday, 16 March 2015
Black Gods Kiss by Lavie Tidhar | review by Stephen Theaker
If I were a judge and this were a court and the case were that of Black Gods Kiss by Lavie Tidhar (PS Publishing, 184pp), I would have to recuse myself, because by this point I am such a fan of this writer’s work that my impartiality would be in serious doubt. Cloud Permutations, Martian Sands, The Violent Century: each has been remarkable in its very own way. If I were writing a list of my favourite books of the last few years they would all show up on it.
Friday, 13 March 2015
Invincible, Vol. 17: What’s Happening by Robert Kirkman and friends | review by Stephen Theaker
Invincible, Vol. 17: What’s Happening (Image, ebook) is written by Robert Kirkman, with pencils shared between Ryan Ottley and Cory Walker, who illustrate scenes depending on whether they take place on Earth or in the alternate, quick-time dimension from which the Flaxan Empire launches its regular invasions. The latter are flashbacks, showing us what happened when Monster Girl and Robot were stranded there, explaining their tense relationship and the way that she is now a full-grown woman. (Previous volumes had shown her slowly growing younger the more she used her power to transfer into a huge green monster.) The scenes on Earth show follow the old and new Invincibles. The original Invincible is having trouble with his powers on the blink, the consequences of which are demonstrated in the brilliant shock ending to chapter one. The new Invincible, filling in to keep the Invincible business going, has to fight the alien invaders, though he’s glad for the break from his visiting parents, forever comparing him to the brother whose failings they don’t know. Invincible is always a reliable source of superhero adventure, and volume 17 was no exception. If it felt like a less than weighty read, that might be down to my last reading session on this comic having lasted for about 70 consecutive issues! There’s so much to like here. A universe of heroes that may, for all I know, have their own comics, but if they do there’s nothing here that forces me to read them. It isn’t like DC or Marvel, where endless company-spanning crises leave almost every individual superhero title feeling like a badly cut jigsaw piece. If an infinite crisis or a civil war happens in Invincible’s universe, it’ll happen in his comic. ***
Monday, 9 March 2015
The Lazarus Effect | review by Douglas J. Ogurek

Scientist dies, comes back to life, goes on killing spree. What’s not to like?
Ever since Dr. Frankenstein stitched together his monster, people have been fascinated with laboratory experiments on humans… especially when it comes to what could go wrong.
The Lazarus Effect, Hollywood’s latest foray into terror via test tube, explores the repercussions of chemical-based human resurrection. Director David Gelb mixes horror, thriller, and sci-fi elements in a film that, though not staggeringly original, holds up as an elixir for the horror devotee.
Friday, 6 March 2015
Interstellar | review by Jacob Edwards
A stellar cast, interred amidst the stars.
At almost three hours in length, Christopher Nolan’s epic SF film Interstellar falls roughly into three acts: humanity clinging to life on a dust-ridden, dying Earth; a last-ditch mission to seek out habitable planets through a wormhole in spacetime; and the consequences (small- as much as large-scale) of that mission going awry. Such is the broad progression of plot. In a critical sense, what plays out on screen is a compellingly envisaged scenario that compromises itself in favour of the box office and then descends further still into the warm glow of metaphysics. For all its cinematic excellence, this is the equivalent of Albert Einstein and his conceptual twin brother playing four-dimensional Monopoly and each contriving to make need of a specially tailored get-out-of-jail-free card. It is an engrossing spectacle, to be sure, but a somewhat unsatisfying comedown from what might have been.
At almost three hours in length, Christopher Nolan’s epic SF film Interstellar falls roughly into three acts: humanity clinging to life on a dust-ridden, dying Earth; a last-ditch mission to seek out habitable planets through a wormhole in spacetime; and the consequences (small- as much as large-scale) of that mission going awry. Such is the broad progression of plot. In a critical sense, what plays out on screen is a compellingly envisaged scenario that compromises itself in favour of the box office and then descends further still into the warm glow of metaphysics. For all its cinematic excellence, this is the equivalent of Albert Einstein and his conceptual twin brother playing four-dimensional Monopoly and each contriving to make need of a specially tailored get-out-of-jail-free card. It is an engrossing spectacle, to be sure, but a somewhat unsatisfying comedown from what might have been.
Monday, 2 March 2015
Amazon Fire TV | review by Stephen Theaker
The Amazon Fire TV is a nifty little under-set box that connects to the internet and allows you to access various apps and bits and pieces of online content, much like Roku boxes. Its small remote control takes you up and down through the categories – currently including things like Prime Video, Movies, TV, Games, Apps, Music and Photos – while left and right take you into the contents of those categories. The remote also has a superpower: hold down the microphone button to summon your entertainment with surprisingly reliable voice controls. (Text Search is also available in a pinch.)
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