Monday 18 March 2024
Hell to Pay by Matthew Hughes (Angry Robot) | review by Stephen Theaker
Friday 15 March 2024
Chilling Effect by Valerie Valdes | review by Stephen Theaker
This review originally appeared in Interzone #284 (November–December 2019).
Eye-catching cover art by Julie Dillon gives a good idea of what’s inside: goofball space opera with a more serious protagonist. She is Captain Eva-Benita Caridad Alvarez y Coipel de Innocente, who hasn’t spoken to her family in years, since the awful incident at Garilia. She owns a slightly old-fashioned spaceship, La Sirena Negra, a keep-your-mouth-shut present from her estranged spaceship-dealer father, and we meet her just as she and her crew run into even more trouble than usual.
Saturday 9 March 2024
The Parades | review by Stephen Theaker
Friday 8 March 2024
Fugitive Telemetry by Martha Wells (Tordotcom) | review by Stephen Theaker
This review previously appeared in Interzone #290-291 (March-June 2021).
The rogue SecUnit (an android "made of cloned human tissue, augments, anxiety, depression, and unfocused rage") returns for Fugitive Telemetry, its sixth adventure, though to its own slight discomfort it is somewhat less of a rogue than before. Now it has friends, and its friends have expectations. So when a murder is apparently committed on Preservation Station, a place where such events are extremely rare, SecUnit is expected to help. There is some discomfort on the station about having a former murderbot on board, but its new friend Mensah has enough sway to override objections.
Wednesday 6 March 2024
Cackle by Rachel Harrison (Berkley) | review by Douglas J. Ogurek
Aimless woman desperate for a man finds mysterious woman desperate for a friend in dully taught lesson on female autonomy.
Cackle is a call for women to stop kowtowing to men and to develop their own voices. Unfortunately, excepting a charming spider and some unruly teens, the story isn’t all that interesting.
Monday 4 March 2024
Lisa Frankenstein | review by Stephen Theaker
Friday 1 March 2024
Black Adam | review by Stephen Theaker
Monday 26 February 2024
Madame Web | review by Stephen Theaker
Madame Web has been given a lot of stick for being a bad superhero film, which in my view is a complete misunderstanding of what it is. It’s not a superhero film at all, it’s a comedy horror thriller that takes place in a superhero universe. Comics readers are very used to this kind of thing, but it seems to have baffled some filmgoers. Imagine a Final Destination film, but where nearly all the heroine’s psychic visions are of the same disaster: an evil Spider-Man type called Ezekiel murdering everyone he gets his hands on, in one location after another. Admittedly, he is the film’s weakest link (the animation of his movements looks clumsy, and it sounds as if his dialogue has been dubbed by someone else), but, overall, like Morbius, the film is very far from being the complete disaster that some would have you think.
Friday 23 February 2024
In the Vanishers’ Palace, by Aliette de Bodard (JABberwocky Literary Agency) | review by Stephen Theaker
This review originally appeared in TQF65 (December 2019).
Some time ago, the world was conquered and enslaved by beings who subsequently left, vanished, and broke the world. Humans were left to survive as best they could among the wreckage and abandoned artefacts. Resources are scarce, plagues are rife, and life in Yên’s village is extremely difficult, the village elders always looking for an excuse to reduce the number of mouths to feed. Would-be scholar Yên is not regarded as terribly useful, but her mother is a healer, and knows a few words of power. When Head Phuoc’s daughter is seriously unwell, and all else fails, and exile is the price of failure, Yên’s mother calls on a dragon spirit to help. Yên is offered as the price.
Wednesday 21 February 2024
ProleSCARYet: Tales of Horror and Class Warfare edited by Ian Bain, Anthony Engebretson, J.R. Handfield, Eric Raglin, and Marcus Woodman (Rad Flesh Press) | review by Douglas J. Ogurek
Overlords in saviours’ clothing: anthology takes a shot at capitalism with mixed results.
Despite its silly title, this horror anthology sympathises with those fed up with monied capitalists trying to take control of their lives, mostly in office and retail environments. It’s full of low earners (pizza deliverers, landscapers, gas station attendants, baristas) trying to make ends meet while suffering at the hands of the wealthy. In some stories, members of the upper class get their way, while, in others, the “rich fucks”, as one author puts it, pay their dues.
The worst entries are cryptic diatribes saturated in melodramatic language. These authors make the mistake of thinking readers will invest time in their philosophical ramblings without the backbone of a solid story.
Nevertheless, the collection offers enough strong pieces to make it worth the read. Several stories feature a bad guy or organisation, often an embodiment of corporate America, attempting to lure young, inexperienced people into what amounts to indentured servitude.
“Salen’s Found” by Corey Farrenkoph, for instance, introduces a young man working two menial jobs. He and his college student girlfriend struggle with whether they should join a commune, the walls of which they can see from their apartment. As the couple’s pressures mount, the cult’s vague brochures filled with smiling faces and promises of security (not so different from a corporate website) start showing up everywhere… even in the most private of places.
Another theme pervading this anthology involves the lack of appreciation and downright contempt among the privileged for those in the service industry. Stories such as “Empty”, arguably the strongest in the compilation, spotlight the unrealistic demands that the wealthy impose on others. When a demanding customer’s bratty children discover that a shop is out of Birthday Cake frozen yogurt, Leah and her co-workers must venture into a monster-infested storage area to get more. Risking their lives for their customers is something their corporate masters believe they should be willing to do. Author Noah Lemelson’s first-person narrator Leah doesn’t mince words or go into any kind of philosophical meanderings – the message is conveyed through the highly original story.
Dustin Walker’s “Return Policy” explores how the idle rich treat the less fortunate as a means to an end. The protagonist works for the returns department of ReGen, which takes advantage of grieving parents by transferring their dead children’s essences into beings that doesn’t live up to the original. He’s trying to help people get away from the company so they can grieve and accept the loss of their children.
Another strong entry is Tim Kane’s “Sweet Meats: A Grisly Tale of Hansel and Gretel”, which condemns corporate environmental exploitation with a retelling of the classic fairy tale. In this variation, the witch protagonist switches between raven and human, and she uses something very different to candy to decorate her house.
The authors within ProleSCARYet are likely to elicit one of two reactions among readers: “Shut up” or “Tell me more.” Douglas J. Ogurek ***
Monday 19 February 2024
Poor Things | review by Stephen Theaker
Friday 16 February 2024
Bridge 108 by Anne Charnock (47North) | review by Stephen Theaker
This review originally appeared in Interzone #285 (January–February 2020), which also included a wide-ranging interview with the author.
In A Calculated Life, Jayna, a simulant in the midst of a low-key rebellion, goes on a sneaky trip to the Enclave market on Clothing Street and notes with distaste a striped cotton shirt with a fake fur collar. Nauseated to see such disparate things stitched together, she asks her friend Dave who would do that kind of work. Migrants, he tells her. Bridge 108 introduces us to the boy who made that shirt, and shows us how proud he was of it, and what it signified for him.
Caleb is a migrant boy of twelve years old who has been separated from his parents for some time. Europe is so dried out by global warming that starting a wildfire in France will see you imprisoned for life, and an arsonist in Portugal could face the death penalty. England and Wales, for now at least, have what we would consider a pleasant Mediterranean climate, warm enough for vineyards and sleeping outdoors in the summer.
Monday 12 February 2024
For All Mankind, Season 4 | review by Stephen Theaker
Though we barely see Jodi Balfour as President Waverley in this season (Al Gore now being President), and many other major characters have died or retired along the way, there are some survivors from the late 1960s. Astronaut Ed Baldwin is a cranky old man now; hardly a surprise since he was such a cranky young man. Joel Kinnamon's performance conveys the character's age better than his rather dusty make-up. He doesn't want to leave Mars, especially with his daughter and grandson on the way there. He's not happy when old friend Danielle Poole (Krys Marshall) is sent from Earth to become his boss. Her instinct was to decline the job, but she returns to service out of duty.
Friday 9 February 2024
Barbarians of the Beyond by Matthew Hughes (Spatterlight) | review by Stephen Theaker
The parents of Morwen Sabine were among those taken, and sold into slavery, ending up in the possession of Hacheem Belloch, on Blatcher's World. And it was into slavery that Morwen was born. We join her subsequent to her escape, as she arrives on Providence, and makes her way back to the former home of her parents. They left something of value there, hidden in her tree, that might help bring them home.
Wednesday 7 February 2024
Such a Pretty Smile by Kristi DeMeester (St. Martin’s Press) | review by Douglas J. Ogurek
Unrequited love and somnambulant sculpting: alternating timelines explore mother/daughter bonds and suppression of women’s voices.
Such a Pretty Smile tells the stories of a mother and daughter dealing with a variety of threats, the most dangerous of which is a serial killer called The Cur. On a deeper level, the novel comments on women having their voices stifled in a society that drives them towards certain behaviours and activities.
Like many recent horror novels, the action alternates between two timelines. In 2019, eighth-grader Lila Sawyer – a surname with clear implications – has a crush on her attractive but self-absorbed classmate Macie, who is more interested in Cameron, a junior in high school. Macie tries to push Cameron’s awkward brother Andrew onto Lila. To top it off, a murderer who kills young girls is on the prowl.
Monday 5 February 2024
All of Us Strangers | review by Stephen Theaker
All of Us Strangers tells the story of Adam (Andrew Scott), a gay writer in his forties, living alone in an empty London apartment block. He writes for film, and, when he has to (as he puts it), for television. He's trying to write a script about his childhood, but struggling, so he heads back to his home town to see his parents. Anyone who has seen the trailer will know already that his parents (played by Claire Foy and Jamie Bell) died in a car crash when he was a child. The film, however, doesn't tell you that they died until after we have met them, though one might guess from the conversation and their relative youth. Adam doesn't seem surprised to meet them, nor do they seem surprised to meet him, though they are aware that time has gone on without them.
In London, a nice chap knocks on Adam's door with a bottle of whiskey, looking for company. They are apparently the only people to have moved into the building yet and the silence is freaking him out. Harry (Paul Mescal) is from a younger generation, but bears similar emotional scars. Adam hates being called queer, because it was an insult thrown at him by bullies in the 1980s. Harry hates being called gay, because it was an all-purpose insult during the Chris Moyles era. Adam went a long time without ever having penetrative sex, because of AIDS, but for Harry's generation HIV would no longer be a death sentence and PrEP (Pre-Exposure Prophylaxis) drugs can prevent transmission. Though Adam understandably turns the drunk young man away at first, he later invites him over, and a tender relationship develops between them.
Eventually, Adam takes Harry to meet his parents.
Friday 2 February 2024
Tales from the Spired Inn by Stephen Palmer (NewCon Press) | review by Stephen Theaker
This review originally appeared in Interzone #284 (November–December 2019).
It’s not the end of the world. The planet is doing just fine. But this might be the last year that there are any humans living on it, at least as we know them. As we learn in the first story in this collection, a clever murder mystery called “Dr Vanchovy’s Final Case”, this is an Earth where people are killed by bladder blade plants, falling cushions of fungus, and cats with silicon implants in their claws. Abandoned buildings, thousands of years old, reach up to the clouds, serving only as anchors for the webs of whooping hunting spiders. The air grows ever less breathable and anyone coming indoors has to leave their boots in antiseptic buckets.
Wednesday 31 January 2024
The Unbalancing, by R.B. Lemberg (Tachyon Publications) | review by Stephen Theaker
When new starkeeper Ranra Kekeri takes over, and discovers how little time remains, Ranra takes a very different view. If there’s a way to calm the star, Ranra will find it, but before that can be done the new starkeeper may have to figure out what the star actually is – all while dealing with the worries caused by an aggressive former partner, Veruma, a cruel and delusional mother, Adira, and a potential new partner, the poet ErÃgra Lilún.
Monday 29 January 2024
Badland Hunters | review by Stephen Theaker
I doubt many reviewers will use "Ballardian" to describe Netflix's Badland Hunters, which is a self-consciously pulpy and over-the-top affair. A prologue shows us that, when the earthquake hit, mad scientist Yang Gi-Su was trying to resurrect his daughter. Three years later, by which time a drought has added to everyone's problems, he is still mad-sciencing away, and with the help of soldiers has taken over an apartment block that still stands. With his new experiments, Yang Gi-Su aims to create humans who can survive the extended periods of dehydration and malnutrition that are practically inevitable in this dry new world.
Friday 26 January 2024
Lone Wolf 28: The Hunger of Sejanoz, by Joe Dever | review by Rafe McGregor
Holmgard Press, hardback, £19.99, November 2022, ISBN 9781915586056
I’ve been delaying my review of the most recently published collector’s edition because I was hoping to be able to report that Holmgard Press had achieved at least one of its goals: that either the whole cycle of thirty-two Lone Wolf gamebooks had been published or that a large proportion of the cycle was back in print. Unfortunately, both goals remain in development at the time of writing. Regarding availability, there are now three editions circulating: original (paperback and secondhand only), collector’s (hardback and secondhand only), and definitive (which can be purchased from Holmgard Press, Amazon, and no doubt other online bookstores). The only definitive editions in print at the time of writing are books 1 to 12, 1 to 5 (the Kai series) in hardback and paperback and 6 to 12 (the Magnakai series) in hardback. Books 13 to 20 (the Grand Master series) are relatively easy to find on the secondhand market (and usually not extortionate, for the original editions anyway), but books 21 to 31 (the New Order series) less so. People seem to be hanging on to the Holmgard Press Collector’s Editions pretty tightly and I’ve not seen any copies of books 28 to 31 available for a while now. The original edition of Lone Wolf 28: The Hunger of Sejanoz (which was published by Red Fox in 1998) reached a peak price of £1894 on the secondhand market in February 2022, but both original and collector’s editions are now completely unavailable fourteen months after the publication of the latter. Regarding the completion of the series, Lone Wolf 32: Light of the Kai is going to be released in two parts, which Holmgard aims to publish in October 2024 and October 2025 respectively. I have to ask why. Two parts mean that Joe Dever’s original conception of a thirty-book cycle has been changed to thirty-three, but the press’s stated intention is the posthumous realisation of his vision (Dever sadly passed away in 2016). I am also concerned that the perceived need to publish the final book in two parts is evidence of an exacerbation of the source of my criticism of Lone Wolf 31: The Dusk of Eternal Night, which I reviewed in TQF69. Finally, 2024 is the fortieth anniversary of the publication of Lone Wolf 1: Flight from the Dark (yes, that does make me feel old) and it would have been great to have the cycle completed in such an auspicious year.