Saturday, 5 January 2019
Death Note, by Charley Parlapanides and chums (Netflix) | review
I haven’t seen the anime versions, or the live action Japanese films, or read the comics, but you would think that with so many previous versions to consider that the film-makers would have been able to get a pretty good idea of what worked and what didn’t before starting work on this one, which despite that ends up being pretty unremarkable. For one thing, Light is is a very unsympathetic lead character. The film was criticised by some for whitewashing, by casting a white actor in the lead, and maybe that played into my feelings when watching it. No one’s saying that when adapting a title from another country you must keep the setting and ethnicities of the characters exactly the same, and there’s certainly more diversity in this film than in the Japanese version, but when you cast a blonde white guy in an American remake of a Japanese film, it can feel like you are making a statement about the blonde white guy being more typically American than the alternatives. He certainly didn’t come across as the genius the film needed him to be.
What I did like about the film was how it opened out very quickly from what could have been a straightforward Final Destination kind of film to exploring the wider possibilities of the death note power, but I have to say I liked the Final Destination films much better. As well as vividly demonstrating perfectly the importance of good health and safety, they brim with suspense. There’s nothing in this film that comes close to the set pieces in those, though the conclusion has a crack at it. Ryuk is good company but you could replace him with a series of bombs without affecting the plot very much. It’s not a classic film, but it’s sweary and gory, and music is deployed very well throughout. It’s watchable enough to pass a couple of hours, and I could see a sequel being better, especially if it played up the horror. The part most likely to stick with me is the excellent advice of L’s right-hand man, Watari: “Sleep is key to strong thought.” Stephen Theaker **