Showing posts with label Drew Tapley. Show all posts
Showing posts with label Drew Tapley. Show all posts

Thursday, 30 April 2020

Theaker's Quarterly Fiction #66 is now out!

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Welcome to Theaker's Quarterly Fiction #66, edited by Stephen Theaker and John Greenwood.

This long-delayed issue features stories by Walt Brunston, Drew Tapley, Amber Velez, Mae Ashley, Charles Wilkinson, Teika Marija Smits, Matthew Amundsen and Elaine Vilar Madruga (as translated by Toshiya Kamei). Jessy Randall interviews Lorinda J. Taylor about the process of inventing fictional languages, and Stephen Theaker interviews rising star Tim Major. Jacob Edwards, Rafe McGregor, Douglas J. Ogurek and Stephen Theaker supply the reviews, while John Greenwood provides the cover art.

Howard Phillips returns to our pages with an editorial, where he lists the 2019 writings of his that he hopes you will consider for awards recognition this year.



Here are the tremendous contributors to this issue.

Amber Velez has been published in Carnegiea Literary Magazine and won a Young Authors award at the 2019 Tucson Festival of Books. She originally wrote to us from Spain, where she was alternately schlepping through hostels or working on farms, on a gap year before she went to MIT. Her story in this issue is called "Eresh Ashore".

Charles Wilkinson contributes "Evening at the Aubergine Café" to this issue. His publications include The Pain Tree and Other Stories (London Magazine Editions, 2000), A Twist in the Eye (Egaeus Press, 2016) and Splendid in Ash (Egaeus Press, 2018). A full-length collection of his poetry came out from Eyewear in 2019 and Eibonvale Press will publish his chapbook of weird stories, The January Estate, in 2020. His stories have appeared in Best Short Stories 1990 (Heinemann), Best English Short Stories 2 (W.W. Norton, USA), Best British Short Stories 2015 (Salt), Confingo, London Magazine and in genre magazines/anthologies such as Black Static, The Dark Lane Anthology, Supernatural Tales, Theaker’s Quarterly Fiction, Phantom Drift, Bourbon Penn, Shadows & Tall Trees, Nightscript and Best Weird Fiction 2015 (Undertow Books). He lives in Wales. More information can be found at www.charleswilkinsonauthor.com, his website.

Douglas J. Ogurek is the pseudonym for a writer living somewhere on Earth. Though banned on Mars, his fiction appears in more than fifty Earth publications. Douglas’s website can be found at www.douglasjogurek.weebly.com and his Twitter account is at www.twitter.com/unsplatter. To this issue he supplies reviews of Joker, Jumanji: The Next Level and Maleficent: Mistress of Evil.

Drew Tapley’s work has appeared in all three of our Unsplatterpunk! specials, and also in the Chiron Review, Popshot Magazine and others. His story in this issue is "Space Cutlery". One of our favourite things: something utterly ridiculous played absolutely straight.

Elaine Vilar Madruga is a poet, fiction writer, and playwright, born in Havana, Cuba in 1989. Her work has appeared in numerous literary journals and anthologies around the globe. She has authored more than thirty books, including Culto de acoplamiento (2015), Sakura (2016), Fragmentos de la tierra rota (2017), El Hambre y la Bestia (2018), and Los años del silencio (2019). Translations of her short stories have appeared in venues such as The Bitter Oleander, The Café Irreal, Fantasy & Science Fiction and Mithila Review. Her story in this issue is "A Star Is Born", translated by the prolific Toshiya Kamei.

Howard Phillips contributes this issue's editorial, "For Your Consideration". He is a frequent contributor to Theaker’s Quarterly Fiction, and also to its predecessor fanzine in the nineties, New Words. His novels include His Nerves Extruded, The Doom That Came to Sea Base Delta and The Day the Moon Wept Blood. Sequels We Slept Through the Apocalypse and A Dim Star Is Born remain sadly unfinished.

Jacob Edwards reviews "Terminator: Dark Fate" for us this time. He also writes 42-word reviews for Derelict Space Sheep. His website is at www.jacobedwards.id.au, his Facebook page at www.facebook.com/JacobEdwardsWriter, and his Twitter account is at www.twitter.com/ToastyVogon.

Jessy Randall interviews Lorinda J. Taylor in this issue. Her essay on the language of the Battlestar Galactica reboot appeared in the February 2018 issue of Theaker’s. Her poems, stories and other things have appeared in Asimov’s, Lady Churchill’s Rosebud Wristlet, McSweeney’s and Strange Horizons. She is a librarian at Colorado College and her website is http://bit.ly/JessyRandall.

John Greenwood is the co-editor of TQF and provides the cover art for this issue.

Mae Ashley is a former resident of seven states scattered around the U.S. and currently lives in Washington, D.C. Her fiction has appeared in The Charleston Anvil and her earlier work appeared in the types of journals that feature Greek symbols and diagrams. Her story in this issue is "A Grandmother Paradox".

Matthew Amundsen's story in this issue is "Swallowing the Sun". When not writing, he is a sound engineer in Minneapolis, where he lives with his daughter. Since his previous story was published in TQF64, another appeared in Metaphorosis. Other stories have appeared in Cemetery Moon, Jersey Devil Press, Millennium SF&F and Starsong.

Rafe McGregor lectures at Edge Hill University. He is the author of two monographs, two novels, six collections of short fiction, and two hundred articles, essays, and reviews. His most recent work of fiction is The Adventures of Roderick Langham, a collection of occult detective stories. In this issue he reviews three Lone Wolf books, Star Wars: The Rise of Skywalker and season four of The Man in the High Castle.

Stephen Theaker is the co-editor of TQF and shares his home with three slightly smaller Theakers. In this issue he reviews four audiobooks, seventeen books, ten comics, one album and four television programmes. His reviews, interviews and articles have also appeared in Interzone, Black Static, Prism, Dark Horizons and the BFS Journal.

Teika Marija Smits writes poetry, fiction and non-fiction, and has been published in Mslexia, Reckoning, Shoreline of Infinity and Best of British Science Fiction 2018. She is the founder and manager of the small press Mother’s Milk Books, and in spare moments she likes to create art. Website: https://marijasmits.wordpress.com. Twitter: www.twitter.com/MarijaSmits. Her story in this issue is the satirical "The Red Choos".

Walt Brunston’s adaptation of the classic television story, Space University Trent: Hyperparasite, is now available on Kindle. To this issue he contributes the latest instalment of The Two Husbands: "The Emperor of Pseudo City".



As ever, all back issues of Theaker's Quarterly Fiction are available for free download.

Tuesday, 31 December 2019

Theaker's Quarterly Fiction #65: UNSPLATTERPUNK! 3: now out in paperback and ebook!

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GUEST-EDITED BY DOUGLAS J. OGUREK

Vicious parasites, punctured flesh, eyeball trauma, severed limbs, theatrical licking. The TQF UNSPLATTERPUNK! series returns with its third instalment. Six subversive stories, including an all-new tale by unsplatterpunk luminary Drew Tapley, aim to keep the reader entertained and aghast, while delivering a positive message.

A soon-to-be father focuses on helping others amid a Martian base massacre that shows the repercussions of human intrusion. Outraged women unite to stop a high-ranking male oppressor, and in the process, unravel the key to combating male chauvinism and its disastrous effects. A woman, certain of the upstanding life she’s led, learns a lesson that will seal her postmortem fate. Support group bloodshed leads to a scientific breakthrough. Three brothers on an Irish farm dismantle a brutal patriarchy… and chop off body parts. Back-of-theatre make-out sessions plunge to new slimy depths in an exploration of the pressure teens feel to become sexual legends.

So put on your coveralls and jump into the carnage and debauchery… You’re going to get filthy, but you’ll also emerge with a sense of hope.

Also includes reviews of books by Aliette de Bodard, John Llewellyn Probert, Laurie Penny, Pixie Britton and William F. Temple, and of the films Aquaman, Crawl, Every Day, Glass, It Chapter Two, Mary Poppins Returns, Ready or Not, Under the Skin and Us, and of the television series Carnival Row.


Here are the gore-unsplattered contributors to this issue:

Chris Di Placito is a writer living in Fife, Scotland. His work has appeared in magazines such as Litro, BULL, Porridge, Ink In Thirds, STORGY and Structo.

Douglas J. Ogurek is the pseudonym for a writer living somewhere on Earth. Though banned on Mars, his fiction appears in over fifty Earth publications. Douglas’s website can be found at www.douglasjogurek.weebly.com and his Twitter account is at www.twitter.com/unsplatter.

Drew Tapley is a British copywriter, journalist and filmmaker based in Toronto.

Garvan Giltinan is a recovering Irishman with a fascination with the bizarre/grotesque/puerile. His work has appeared in the anthologies New England: Weird, Triggered, and Fatal Fetish. Forthcoming publications include the novel Backdoor Carnivore (JEA Press) and the short story “Titty Kitties” (Thicke and Vaney Books). Giltinan has an MFA in Creative Writing from Pine Manor College, and really weirds out his wife with the subject matter of his stories.

Jacob Edwards also writes 42-word reviews for Derelict Space Sheep. His website is at www.jacobedwards.id.au, his Facebook page at www.facebook.com/JacobEdwardsWriter, and his Twitter account is at www.twitter.com/ToastyVogon.

Joanna Koch writes literary horror and surrealist trash. Author of the novella The Couvade and other short fiction, Joanna has been published in journals and anthologies such as SYNTH #1: An Anthology of Dark SF, Honey & Sulphur and In Darkness, Delight: Masters of Midnight. Joanna is a Contemplative Psychotherapy graduate of Naropa University and lives near Detroit. Follow their monstrous musings at horrorsong.blog.

Rafe McGregor lectures at Edge Hill University. He is the author of two monographs, two novels, six collections of short fiction, and two hundred articles, essays, and reviews. His most recent work of fiction is The Adventures of Roderick Langham, a collection of occult detective stories.

Stephen Theaker is the co-editor of TQF and shares his home with three slightly smaller Theakers, one of whom provided the art for this issue's cover. His reviews, interviews and articles have also appeared in Interzone, Black Static, Prism, BFS Horizons and the BFS Journal.

Manchester, UK-based Tom Over is a writer of dark, speculative strangeness. He grew up loving all things horror and has been suckling on the gnarled teat of weird fiction ever since he was knee high to a Mugwump. He generally divides his time between watching cult movies with his girlfriend and working on his first collection. To date, his work has appeared in CLASH Media, Aphotic Realm, Crystal Lake Publishing and Horror Sleaze Trash amongst others. His first collection is due for release in early 2020 from NihilismRevised.

Zeke Jarvis is a professor of English at Eureka College. His work has appeared in Moon City ReviewPosit and KNOCK, among other places. His books include So Anyway…In A Family WayLifelong Learning and the forthcoming The Three of Them.


As ever, all back issues of Theaker’s Quarterly Fiction are available for free download.

Monday, 10 September 2018

UNSPLATTERPUNK! 2 (TQF63): now out in paperback and ebook!

free epub | free mobi | free pdf | print UK | print USA | Kindle UK | Kindle US

GUEST-EDITED BY DOUGLAS J. OGUREK

“Ghastly.” “Bloodthirsty.” “Transgressive.” “Over-the-top violence and sexual deviation.” So said the reviews of UNSPLATTERPUNK!, the first official collection in the unsplatterpunk subgenre.

Now, seven goreslingers and propriety defilers have grossed up their game to deliver UNSPLATTERPUNK! 2. True to the unsplatterpunk subgenre, these stories deliver a moral message while shocking or repulsing the reader. The collection includes a foreword by criminologist, philosopher, and aesthetic commentator Rafe McGregor.

Returning contributor Drew Tapley kicks off the awfulness on an impressively juvenile note with the anthology's most straightforward story. In “First Kiss”, a high school student deals with an expulsive situation with as much stoicism as Conan the Barbarian… maybe “Barfbarian” is more relevant. Trophy hunting is Triffooper Saxelbax’s target as his protagonist, a designer of controversial augmented reality games, takes on the corporate obsession with teamwork in “The Villainy of Solitude”. Hugh Alsin’s satirical piece “Convention Hitler!” explores intolerance run amok when the story’s namesake attends a British horror convention. In “The Music of Zeddy Graves”, Stephen Theaker brings his planet-hopping duo of Rolnikov and Pelney to Melodia, whose inhabitants participate in an endless music festival, and whose main attraction goes to gruesome extremes to achieve her compositions. Douglas J. Ogurek’s “Gunkectomy” alternates between an embittered architect/author and a husband hunter who finds commercial and social value in her earwax. “The Tapestry of Roubaix” by Howard Phillips seems to come off the shelf of a nineteenth century library, until it reveals what the protagonist does in his washbasin. M.S. Swift, another returning contributor, closes out the collection with “The Bones of Old England”, an extravaganza of mania-induced carnage.

Delve deep into the cesspool that is UNSPLATTERPUNK! 2, and remember – sometimes to learn a lesson, you might have to get dirty.



Here are the unsplattered contributors to this issue:

Douglas J. Ogurek is the pseudonym for a writer living somewhere on Earth. Though banned on Mars, his fiction appears in over forty Earth publications. Ogurek founded the controversial literary subgenre known as unsplatterpunk, which uses splatterpunk conventions (e.g. extreme violence, gore, taboo subject matter) to deliver a positive message. He guest-edited Theaker’s Quarterly Fiction #58: UNSPLATTERPUNK!, the first ever unsplatterpunk anthology. He also reviews films at that same ezine. Recent longer works include the young adult novel Branch Turner vs the Currants (World Castle Publishing) and the horror/suspense novella Encounter at an Abandoned Church (Scarlet Leaf Publishing). More at www.douglasjogurek.weebly.com. Twitter: @unsplatter

Drew Tapley is a copywriter, journalist and filmmaker based in Toronto.

Howard Phillips is the author of His Nerves Extruded, The Doom That Came to Sea Base Delta and The Day the Moon Wept Blood.

Howard Watts provides the exceptional wraparound cover for this issue.

Hugh Alsin is a writer who now stays away from conventions, although he stresses that the events in his story are completely fictitious, and any resemblance to people living or dead is either unintentional or for the purposes of satire or parody.

M.S. Swift’s work has been published in a wide range of horror and fantasy anthologies, including the first TQF unsplatterpunk collection. Swift’s writing is inspired by the landscape and mythology of his native Britain. He recently completed a witch hunter novel set in an alternative medieval Britain and is seeking a publisher courageous enough to back it.

Rafe McGregor lectures at Leeds Trinity University and the University of York. He is the author of The Value of Literature, two novels, six collections of short fiction, and two hundred articles, essays, and reviews. His most recent book is The Adventures of Roderick Langham, a collection of occult detective stories.

Stephen Theaker has written several novels, but does not recommend reading them.

Triffooper Saxelbax is an emerging (and often grating) voice in the unsplatterpunk subgenre. When he is not writing, he stir-fries vegetables and decorates pine cones. His work has not been translated into any other languages. Neither has it been nominated for nor appeared in the year’s best so and so. Saxelbax’s mental exertions have caused numerous regional power outages.



As ever, all back issues of Theaker’s Quarterly Fiction are available for free download.