Showing posts with label unsplatterpunk. Show all posts
Showing posts with label unsplatterpunk. Show all posts

Friday, 11 October 2024

UNSPLATTERPUNK! 8 opens to fiction and art submissions!

Muck with a purpose: somewhat respected ezine challenges authors and artists to submit gore-saturated works with a positive message   

Theaker’s Quarterly Fiction, allegedly the UK’s second-longest running sci-fi/fantasy/horror ezine, has opened its portal for art and fiction submissions for the eighth chapter in the UNSPLATTERPUNK! series. The possibly talented but more likely self-deluded Douglas J. Ogurek will once again assume editorial duties. 

Unsplatterpunk, horror’s most contradictory subgenre, pummels readers with all the grossness, violence and debauchery of splatterpunk while embedding a positive message. It’s kind of like putting a vitamin in a milkshake… a milkshake consisting of bodily expulsions and innards. 

Send us your morally enlightening filth of up to 10,000 words by April 30, 2025. We’re also looking for cover art submissions that support the unsplatterpunk concept. Note: this is a nonpaying market, but all contributors (and everyone) will have access to free PDF and EPUB versions of the anthology as well as the option to purchase paper copies at the lowest possible price. 

Forget the squeamish fans of mainstream horror, the instructors who told you not to write with a theme in mind, and even the splatterpunk writers mired in nihilism and gore for gore’s sake. We’re open to any genre, from vile fantasy and gruesome sci-fi to backwoods perversion and raw realism, provided that your tale exaggerates the ultraviolence and subversive content of the splatterpunk genre plus conveys a virtuous message. It’s all disgusting… and it’s all enlightening.

Dig into the first seven anthologies, all available for free: 

Theaker's Quarterly Fiction UNSPLATTERPUNK! series
The UNSPLATTERPUNK! anthologies amplify the distasteful content of the typical splatterpunk story while adding a lesson in virtue. The message can be straightforward or subtle — we’ve even used allegories. 

Why Are Stories Rejected?

Following are common reasons why UNSPLATTERPUNK! submissions don’t pass muster:

  • Too tame. You’ve just written a story full of decapitations, amputations and eviscerations? We can get that by turning on the TV. How will you take it to the next level? We want something so disgusting and/or violent that it will knock the socks off the most desensitized reader.
  • No positive message. You’ve completed a transgressive piece that will shock and disgust even the most dedicated splatterpunk enthusiast? Great. But if it doesn’t have some positive message – that’s where the UN in unsplatterpunk fits in – we’re not interested. 
  • Purple prose. When authors fall in love with their writing, they fixate on how they’re writing and lose focus on what they’re writing. We don’t care about what the sky is doing, how smoke drifts or what colour a character’s hair or eyes are… unless the descriptions contribute to the story. Don’t impress us with your language and vocabulary; impress us with your story.
  • AI-generated stories. Don’t even try.

Tips on Achieving the Almost Impossible

“Unsplatterpunk is an exceptionally demanding genre in which to write, requiring an almost impossible balancing act between the disgusting and the morally uplifting,” states author, criminologist, philosopher and aesthetic commentator Dr Rafe McGregor. 

Having gone through this process seven times, we offer potential submitters the following tips:

  • Approach your subject matter with a thirteen-year-old boy’s “gross is great” mentality and your writing with the technical skills of a seasoned fiction writer.
  • Make the story as attention-seizing as a T-rex at a butterfly garden. 
  • Develop content so revolting that readers think to themselves, Why am I reading this?
  • Don’t forget humour. The over-the-top nature of these stories means there’s an element of humour in them. When authors take their subject matter too seriously, their work often devolves into dramatic hogwash.
  • Imagine a man with a violin standing next to you as you write. Each time your writing gets dramatic, he starts playing. Don’t let him play! Fewer big words, abstractions and philosophical concepts – more story.
  • Avoid standard revenge tales, which most often fail to deliver a positive message. It’s a cop-out, and it’s an overused concept in extreme horror.
  • Don’t tack a moral lesson onto your conclusion; embed it into your story. 
  • This isn’t a cologne commercial or a performing arts student’s one-act play. Don’t end your story in a quagmire of esoteric nonsense.
  • Our thoughts on classic creatures: Vampires brooding around a castle? ClichĂ©. Zombies wandering deserted city streets? Dumb. Werewolves at a sexual harassment prevention training seminar? You have our attention.
  • Read everything you can get your hands on, especially splatterpunk. You need a baseline from which to launch.
  • Read previous entries in the UNSPLATTERPUNK! series. Why not? They’re free.
  • Please, for the love of all that is holy, don’t write your story in a chatty style full of colloquialisms. You’re writing to your reader, not your bestie.  

The Gory Details

Send stories (no poetry, please) and artwork to TQFunsplatterpunk@gmail.com. Put “UNSPLATTERPUNK! 8 submission” in the subject line. In your cover letter, include a bio and tell us about the positive message your story conveys.

  • Deadline: 30 April 2025
  • Max word count: 10,000
  • Reprints: No
  • Multiple submissions: Yes
  • Simultaneous submissions: No. We’ll get back to you within a couple of weeks.
  • File type: DOC (preferred) or DOCX files for stories; PDF or JPG files for artwork
  • Payment: This is a nonpaying zine. However, free PDF and EPUB files will be available to everyone.

After publication, you are free to reprint your story elsewhere, but please credit Theaker’s Quarterly Fiction for original publication. See the TQF standard guidelines for additional information on rights and legal matters.

A Note on No Payment

Because our contributors do not receive monetary payment, some have accused us of using authors’ “slave labour” to get rich. The UNSPLATTERPUNK! series (and the TQF ezine in general) is not a moneymaking venture. Rather, it’s a group of dedicated hobbyists trying to have some fun and maybe just make the world a better place. That’s why we make PDF and ebook versions of all UNSPLATTERPUNK! anthologies available for free (with an option to purchase a hard copy on Amazon). Over the course of the UNSPLATTERPUNK! series, we have collected next to nothing from hard copy sales, and all of this nothing has gone right back into the publication of the anthology. 

Nevertheless, if writing is your job – or one day you want it to be your job – then of course you won’t want to do it for free. Submit your stories to a paying journal or anthology, or save them for your collection. And if you’ve been inspired to write something unsplatterpunkish, let us know so we can send readers your way! (And one thing we do offer contributors are free advertisements in the magazine for future projects relevant to our readers.)

Also, keep in mind that while some anthologists select contributors from a tiny pool of acquaintances, we take a different approach here. First, our sole criterion for acceptance is a good story that follows the parameters. Thus, everyone who submits has an equal chance of getting a story selected. Second, we read every submission from beginning to end. If we reject it, we tell you why. If we find promise in a story, we work closely with the contributor to make it as tight, violent, nauseating and illuminating as possible.

Earn the UNSPLATTERPUNK! badge. Submit stories and artwork by 30 April 2025.

Go Ahead: Yuck It Up

Readers who want to be disgusted and shocked by the content they consume continue to multiply. What appeals to them? Story, clarity, originality and above all, yuckiness. 

Help us revolt against pointless splatterpunk by giving readers what they want and infusing the story with an uplifting takeaway. Join the growing ranks of the UNSPLATTERPUNK! army including such luminaries as Hugh Alsin, Antonella Coriander, Harris Coverley, Garvan Giltinan, Chisto Healy, Joe Koch, Eric Raglin, Triffooper Saxelbax and Drew Tapley.

What triggers your moral compass? Environmental destruction? Intolerance? Poverty? Inequality? Speciesism? Write us a story that shows us how to deal with it.

Now is the time to give splatterpunk readers a kick in the crotch. Make them cringe. Make them gag. Make them squeal. Dump all the barbarity, carnage and vileness you can into your milkshake, but don’t forget to mix in that virtue vitamin.

You have until 30 April 2025. 

Shock us. Nauseate us. Edify us.

Thursday, 31 August 2023

TQF74: UNSPLATTERPUNK! 6: out in paperback and free to download!


Theaker’s Quarterly Fiction #74
is now out in paperback and ebook!

free epub | free pdf | print UK | print USA | Kindle UK | Kindle US

This issue features “Kung Fu Sue: Origins” by Harris Coverley, “Man-Eating Mother of the Year” by DW Milton, “The Fall and Rise of Donna Harrington” by LJ Jacobs, “The Great Him-Horse / Horsehekin War” by Antonella Coriander, “We Who Are About to Die” by Jack Thackwell, an editorial and reviews from Douglas J. Ogurek, reviews from Stephen Theaker, and a cover by Edward Villanova.

Optimism smothered in ghastliness!

Sometimes to learn a lesson, you need to get a little dirty, or in this case, covered in bodily expulsions. The UNSPLATTERPUNK! smearies continues with a new batch of gore-infused horror with a positive message. This sixth instalment introduces five stories about women who take a stand (or stand back as men destroy themselves). Brace yourself for shattered teeth, smashed bones, ruptured organs, plucked eyeballs, torn-off limbs, and for the first time in the USP catalogue, spaghettification.

A modern-day Cinderella stumbles across a rare book containing the secrets to physical and spiritual empowerment. A bounty hunter couple that uses toilets to travel between times and dimensions discovers something unexpected about their latest target. A sex-starved jerk confronts his grieving wife at the zoo just before things go apeshit. Women in a futuristic society turn an analytic eye on how 21st-century men wiped each other out… because of a cartoon. A gladiator imprisoned by aliens and stuck in a cycle of killing, drinking and fornicating meets his match in a fed-up sex slave.

Edward “Eddie V” Villanova's cover art makes us question everything about this volume: Is this death, or is it life? Is it dark, or is it light? Sinner or saint? One thing is for sure: these stories won’t just drop your jaw – they’ll rip it off and hurl it!"

Monday, 26 April 2021

TQF69: UNSPLATTERPUNK! 4 is now out in paperback and ebook!

free epub | free mobi | free pdf | print UK | print USA | Kindle UK | Kindle US

Welcome to UNSPLATTERPUNK! 4, edited by Douglas J. Ogurek. Six stories unite the gruesome contents of the splatterpunk subgenre with the millennia-old notion that art should offer moral instruction. In the tales that follow, villains use advantages, whether a silver tongue or a silver spoon, to subject others to humiliation and violence. Things get shoved into or pushed out of tight places. Flesh tears. Eyeballs burst. And of course, people get eaten by familiar and not-so-familiar species. However, these stories also offer moral nuggets that can’t be found in splatterpunk: a call to share our feelings with those we love, a declaration about the importance of tolerance and unity, a critique on capitalism in America, an appeal to use our skills for good, and a warning about imposing our values on others. This instalment concludes with what could be the most repulsive entry in the UNSPLATTERPUNK! canon: Rick Saldana’s “Boot Camp”, a mind-and-other-body-part-expanding examination of economic disparity, youthful indiscretion, and the ability to transcend life’s most trying moments. Prepare yourself for the next phase of unsplatterpunk – you’re about to learn some painful lessons.


Here are the tremendous contributors to this issue.

Chisto Healy has been writing since childhood, but he only started following his dreams and writing full time in 2020. On top of the award-nominated, self-published novels from his earlier days, he now has more than 100 published stories. You can find out more at his blog chistohealy.blogspot.com or follow him on Amazon, where his new stuff is constantly coming out. He lives in North Carolina with his fiancé and her mom, his daughter Ella who has inspired his stories, his daughter Julia who has been published alongside him, and his son Boe who thinks the world is his drum..

Born into a large Italian family in the Arts District of Dallas, Texas, Edward Villanova is the product of culture and chaos. He began writing at the age of four, and credits reading Harlan Ellison’s I Have No Mouth, and I Must Scream at the age of six as the definitive moment that he fell in love with horror. Edward hosts the comedy horror podcast Eddie V’s Horror Show, where he discusses terrifying happenings, scary movies, and the art of writing, all with a comedic bent. His published works include political nonfiction under another name, as well as fiction in The Scarlet Leaf Review and via Kindle Direct Publishing.

Ben Fitts is the author of more than thirty published short stories. His debut collection My Birth and Other Regrets was released by the indie press NihilismRevised in 2019. He lives in Brooklyn, New York, where he writes weird stories, plays guitar in the indie rock band War Honey, and puts too much hot sauce on everything.

Tim J. Finn was born in Boston and still calls the area home sweet home. He penned his first story, an origin tale for Aurora’s Forgotten Prisoner of Castle Mare kit, while enrolled in Catholic school. The good nuns no doubt felt his literary tastes confirmed their convictions regarding the sinister nature of a left-handed person. Tim is a member of New England Horror Writers and the Horror Society and holds a B.A. in English from Grinnell College. His work has been published in numerous anthologies and magazines. Please visit his website www.authortimjfinn.net.

Eric Raglin is a speculative fiction writer, podcaster, and horror educator from Nebraska. He frequently writes about queer issues, the terrors of capitalism, and body horror. His work has been published in Novel Noctule, Fever Dream and Shiver. Find him at www.ericraglin.com and www.twitter.com/ericraglin1992.

Rick Saldana is an award-winning pig breeder from Wales. He also writes fiction..

Rafe McGregor lectures at Edge Hill University. He is the author of two monographs, two novels, six collections of short fiction, and two hundred articles, essays, and reviews. His most recent work of fiction is The Adventures of Roderick Langham, a collection of occult detective stories.

Douglas J. Ogurek is the pseudonym for a writer living somewhere on Earth. Though banned on Mars, his fiction appears in more than fifty Earth publications. Douglas’s website can be found at www.douglasjogurek.weebly.com and his Twitter account is at www.twitter.com/unsplatter.

Stephen Theaker’s reviews, interviews and articles have also appeared in Interzone, Black Static, Prism, Dark Horizons and the BFS Journal.


As ever, all back issues of Theaker's Quarterly Fiction are available for free download.

Tuesday, 31 December 2019

Theaker's Quarterly Fiction #65: UNSPLATTERPUNK! 3: now out in paperback and ebook!

free epub | free mobi | free pdf | print UK | print USA | Kindle UK | Kindle US

GUEST-EDITED BY DOUGLAS J. OGUREK

Vicious parasites, punctured flesh, eyeball trauma, severed limbs, theatrical licking. The TQF UNSPLATTERPUNK! series returns with its third instalment. Six subversive stories, including an all-new tale by unsplatterpunk luminary Drew Tapley, aim to keep the reader entertained and aghast, while delivering a positive message.

A soon-to-be father focuses on helping others amid a Martian base massacre that shows the repercussions of human intrusion. Outraged women unite to stop a high-ranking male oppressor, and in the process, unravel the key to combating male chauvinism and its disastrous effects. A woman, certain of the upstanding life she’s led, learns a lesson that will seal her postmortem fate. Support group bloodshed leads to a scientific breakthrough. Three brothers on an Irish farm dismantle a brutal patriarchy… and chop off body parts. Back-of-theatre make-out sessions plunge to new slimy depths in an exploration of the pressure teens feel to become sexual legends.

So put on your coveralls and jump into the carnage and debauchery… You’re going to get filthy, but you’ll also emerge with a sense of hope.

Also includes reviews of books by Aliette de Bodard, John Llewellyn Probert, Laurie Penny, Pixie Britton and William F. Temple, and of the films Aquaman, Crawl, Every Day, Glass, It Chapter Two, Mary Poppins Returns, Ready or Not, Under the Skin and Us, and of the television series Carnival Row.


Here are the gore-unsplattered contributors to this issue:

Chris Di Placito is a writer living in Fife, Scotland. His work has appeared in magazines such as Litro, BULL, Porridge, Ink In Thirds, STORGY and Structo.

Douglas J. Ogurek is the pseudonym for a writer living somewhere on Earth. Though banned on Mars, his fiction appears in over fifty Earth publications. Douglas’s website can be found at www.douglasjogurek.weebly.com and his Twitter account is at www.twitter.com/unsplatter.

Drew Tapley is a British copywriter, journalist and filmmaker based in Toronto.

Garvan Giltinan is a recovering Irishman with a fascination with the bizarre/grotesque/puerile. His work has appeared in the anthologies New England: Weird, Triggered, and Fatal Fetish. Forthcoming publications include the novel Backdoor Carnivore (JEA Press) and the short story “Titty Kitties” (Thicke and Vaney Books). Giltinan has an MFA in Creative Writing from Pine Manor College, and really weirds out his wife with the subject matter of his stories.

Jacob Edwards also writes 42-word reviews for Derelict Space Sheep. His website is at www.jacobedwards.id.au, his Facebook page at www.facebook.com/JacobEdwardsWriter, and his Twitter account is at www.twitter.com/ToastyVogon.

Joanna Koch writes literary horror and surrealist trash. Author of the novella The Couvade and other short fiction, Joanna has been published in journals and anthologies such as SYNTH #1: An Anthology of Dark SF, Honey & Sulphur and In Darkness, Delight: Masters of Midnight. Joanna is a Contemplative Psychotherapy graduate of Naropa University and lives near Detroit. Follow their monstrous musings at horrorsong.blog.

Rafe McGregor lectures at Edge Hill University. He is the author of two monographs, two novels, six collections of short fiction, and two hundred articles, essays, and reviews. His most recent work of fiction is The Adventures of Roderick Langham, a collection of occult detective stories.

Stephen Theaker is the co-editor of TQF and shares his home with three slightly smaller Theakers, one of whom provided the art for this issue's cover. His reviews, interviews and articles have also appeared in Interzone, Black Static, Prism, BFS Horizons and the BFS Journal.

Manchester, UK-based Tom Over is a writer of dark, speculative strangeness. He grew up loving all things horror and has been suckling on the gnarled teat of weird fiction ever since he was knee high to a Mugwump. He generally divides his time between watching cult movies with his girlfriend and working on his first collection. To date, his work has appeared in CLASH Media, Aphotic Realm, Crystal Lake Publishing and Horror Sleaze Trash amongst others. His first collection is due for release in early 2020 from NihilismRevised.

Zeke Jarvis is a professor of English at Eureka College. His work has appeared in Moon City ReviewPosit and KNOCK, among other places. His books include So Anyway…In A Family WayLifelong Learning and the forthcoming The Three of Them.


As ever, all back issues of Theaker’s Quarterly Fiction are available for free download.

Monday, 10 September 2018

UNSPLATTERPUNK! 2 (TQF63): now out in paperback and ebook!

free epub | free mobi | free pdf | print UK | print USA | Kindle UK | Kindle US

GUEST-EDITED BY DOUGLAS J. OGUREK

“Ghastly.” “Bloodthirsty.” “Transgressive.” “Over-the-top violence and sexual deviation.” So said the reviews of UNSPLATTERPUNK!, the first official collection in the unsplatterpunk subgenre.

Now, seven goreslingers and propriety defilers have grossed up their game to deliver UNSPLATTERPUNK! 2. True to the unsplatterpunk subgenre, these stories deliver a moral message while shocking or repulsing the reader. The collection includes a foreword by criminologist, philosopher, and aesthetic commentator Rafe McGregor.

Returning contributor Drew Tapley kicks off the awfulness on an impressively juvenile note with the anthology's most straightforward story. In “First Kiss”, a high school student deals with an expulsive situation with as much stoicism as Conan the Barbarian… maybe “Barfbarian” is more relevant. Trophy hunting is Triffooper Saxelbax’s target as his protagonist, a designer of controversial augmented reality games, takes on the corporate obsession with teamwork in “The Villainy of Solitude”. Hugh Alsin’s satirical piece “Convention Hitler!” explores intolerance run amok when the story’s namesake attends a British horror convention. In “The Music of Zeddy Graves”, Stephen Theaker brings his planet-hopping duo of Rolnikov and Pelney to Melodia, whose inhabitants participate in an endless music festival, and whose main attraction goes to gruesome extremes to achieve her compositions. Douglas J. Ogurek’s “Gunkectomy” alternates between an embittered architect/author and a husband hunter who finds commercial and social value in her earwax. “The Tapestry of Roubaix” by Howard Phillips seems to come off the shelf of a nineteenth century library, until it reveals what the protagonist does in his washbasin. M.S. Swift, another returning contributor, closes out the collection with “The Bones of Old England”, an extravaganza of mania-induced carnage.

Delve deep into the cesspool that is UNSPLATTERPUNK! 2, and remember – sometimes to learn a lesson, you might have to get dirty.



Here are the unsplattered contributors to this issue:

Douglas J. Ogurek is the pseudonym for a writer living somewhere on Earth. Though banned on Mars, his fiction appears in over forty Earth publications. Ogurek founded the controversial literary subgenre known as unsplatterpunk, which uses splatterpunk conventions (e.g. extreme violence, gore, taboo subject matter) to deliver a positive message. He guest-edited Theaker’s Quarterly Fiction #58: UNSPLATTERPUNK!, the first ever unsplatterpunk anthology. He also reviews films at that same ezine. Recent longer works include the young adult novel Branch Turner vs the Currants (World Castle Publishing) and the horror/suspense novella Encounter at an Abandoned Church (Scarlet Leaf Publishing). More at www.douglasjogurek.weebly.com. Twitter: @unsplatter

Drew Tapley is a copywriter, journalist and filmmaker based in Toronto.

Howard Phillips is the author of His Nerves Extruded, The Doom That Came to Sea Base Delta and The Day the Moon Wept Blood.

Howard Watts provides the exceptional wraparound cover for this issue.

Hugh Alsin is a writer who now stays away from conventions, although he stresses that the events in his story are completely fictitious, and any resemblance to people living or dead is either unintentional or for the purposes of satire or parody.

M.S. Swift’s work has been published in a wide range of horror and fantasy anthologies, including the first TQF unsplatterpunk collection. Swift’s writing is inspired by the landscape and mythology of his native Britain. He recently completed a witch hunter novel set in an alternative medieval Britain and is seeking a publisher courageous enough to back it.

Rafe McGregor lectures at Leeds Trinity University and the University of York. He is the author of The Value of Literature, two novels, six collections of short fiction, and two hundred articles, essays, and reviews. His most recent book is The Adventures of Roderick Langham, a collection of occult detective stories.

Stephen Theaker has written several novels, but does not recommend reading them.

Triffooper Saxelbax is an emerging (and often grating) voice in the unsplatterpunk subgenre. When he is not writing, he stir-fries vegetables and decorates pine cones. His work has not been translated into any other languages. Neither has it been nominated for nor appeared in the year’s best so and so. Saxelbax’s mental exertions have caused numerous regional power outages.



As ever, all back issues of Theaker’s Quarterly Fiction are available for free download.

Friday, 17 February 2017

Now out: Theaker's Quarterly Fiction #58: Unsplatterpunk!


free pdf | free epub | free mobi | print UK | print US | Kindle UK | Kindle US

Theaker’s Quarterly Fiction #58: Unsplatterpunk! is now out! Guest-edited by Douglas J. Ogurek, this is a special issue, an anthology featuring five founding tales of unsplatterpunk, a brand new genre! Douglas describes it as “extreme horror stories [that] offer a positive message, whether blatant or subtle, within their otherwise vile contents”. So don’t expect any slap-up dinners in this issue!

As Douglas says in his editorial, this isn’t a volume you’d want to pull out on family reading night, and you might want to avoid discussing it in detail with your coworkers. But it is interesting! Here’s what Douglas had to say about the stories in this issue:

In M.S. Swift’s deliberately disjointed “A Desert of Shadow and Bone”, brutality meets philosophy in an extravaganza of limb hacking, gentry slaughtering, and drug use that makes a statement about corporate greed and the repression of women. What starts as an extreme, albeit intimate ritual beside a tree-lined natural pool builds to a climax that is both apocalyptic and indicative of personal growth.

There’s something awry about an impending birth in “Quand les queues s’allongèrent”. When you discover what it is, you’ll get a jolt of humour and revulsion. Antonella Coriander offers a slashing take on misogyny and women’s empowerment.

Drew Tapley’s “The Fisherman’s Ring” delves into the absurd as he unveils what really happens in the secretive ceremony to select the next Pope. You get ringside seats for a series of trials full of pain-tertainment. You also get hope and solidarity.

In “The Armageddon Coat”, the collection’s longest work, Howard Watts (who also supplies the terrifying cover) takes us on a more serious journey of two pre-teens as they try to make sense of their world following an alien attack. The theme of innocence vs experience swirls amid political maneuvering, mass destruction, and vicious fighting to survive.

We also have a handful of reviews this issue, from Douglas himself, Rafe McGregor and Rose M. Rye (yes – after two long years we have once again published a female writer!), and they look at the work of Martin Charbonneau, Joe Dever, Gary Chalk, Neil Gaiman and Daniel EgnĂ©us, as well as the films Arrival and Doctor Strange, and season eleven of the television show Supernatural. The issue concludes with twenty-four pages of notes and ratings for almost everything Stephen Theaker read during 2016 but didn’t review for us.



Here are the munificent contributors to this issue:

Douglas J. Ogurek’s fiction, though banned on Mars, appears in over 40 Earth publications. He is the guest editor of this special issue. Ogurek founded the literary subgenre known as unsplatterpunk, which uses splatterpunk conventions (e.g. extreme violence, gore, taboo subject matter) to deliver a positive message. More at http://www.douglasjogurek.weebly.com.

Drew Tapley is a copywriter and journalist, and has been publishing in Canada, Australia, and his native England for the last decade, both in print magazines and journals, as well as online. He is now based in Toronto, and has been making short films for the last five years. Some of his films have screened at film festivals throughout the world. He was recently published in the UK’s Popshot Magazine, and has two published books: one fiction, and one nonfiction.

Howard Watts is a writer, artist and composer living in Seaford. He provides the wraparound cover art for this issue, as well as a brilliant story. His artwork can be seen in its native resolution on his DeviantArt page: http://hswatts.deviantart.com. His novel The Master of Clouds is available on Kindle.

M.S. Swift writes horror and dark fantasy inspired by the ancient landscapes of the U.K. His contemporary horror tales have been published by Ghostwoods Books, the First United Church of Cthulhu, Schlock! Webzine and Schlock! Bi-monthly. He is currently working on a dark fantasy series inspired by the late medieval witch hunts, the first story of which has been published through Horrified Press. His long-term goal is to write a series of weird tales inspired by the early work of Wordsworth and Coleridge. He is paying off the accumulation of negative karma by working in the English education system.

Rafe McGregor Rafe McGregor is the author of The Value of Literature, The Architect of Murder, six collections of short fiction, and one hundred and fifty magazine articles, journal papers, and review essays. He lectures at the University of York and can be found online at @rafemcgregor.

Rose M. Rye is an actual woman, honestly, but she’s writing for us under a pseudonym because she doesn’t really want to be hassled at work by people who disagree with her opinions about television.

Stephen Theaker’s reviews, interviews and articles have appeared in Interzone, Black Static, Prism and the BFS Journal, as well as clogging up our pages. He shares his home with three slightly smaller Theakers and works in legal and medical publishing.



As ever, all back issues of Theaker’s Quarterly Fiction are available for free download.