Monday, 23 May 2016
Captain America: Civil War reviewed by Douglas J. Ogurek
Every time a new Avengers offering comes out, the filmmakers have to raise the bar for the easily distracted contemporary moviegoer ever poised to grow weary of today’s superhero blitz. The fast-paced and effects-packed Captain America: Civil War, directed by Anthony and Joe Rizzo, manages to keep the Avengers juggernaut barreling forward.
It’s the typical talk fight talk fight superhero formula. Our favorite egomaniac Tony Stark/Iron Man offers the most entertaining repartee, while the spirited battle action ranges from Natasha Romanoff’s/Black Widow’s acrobatics to the monumental airport battle that earns the film its name. These films just keep getting bigger, faster, and more intense.
The action starts in Lagos, where Wanda Maximoff/Scarlet Witch uses her psychokinetic powers to lift an active bomb out of harm’s way. However, it detonates before it gets to the top of a building and there are civilian casualties. This opens up an investigation into the many fatalities left in the wake of those thrilling Avengers battles. It also leads to the split that propels the film: in an uncharacteristic move, a guilt-ridden Stark encourages the Avengers to sign a UN-sanctioned accord that limits their previously unchecked authority. Conversely, Steve Rogers/Captain America, the hitherto obedient soldier, refuses to sign because he trusts in his own (and the Avengers’) superior morality and decision-making abilities.
Rogers has something else to worry about: protecting his mentally unstable WWII friend Bucky Barnes (aka Winter Soldier), the tenacious assassin of the last Captain America film. Bucky is a suspected terrorist and former Hydra pawn wanted by the same authorities that seek to limit the Avengers’ powers.
So Iron Man and Captain America each build a six-person army that leads to the airport conflagration. But none of this is all that original, is it? After all, we’ve seen this kind of freaks versus commoners and superhero infighting since X-Men (2000). However, what follows shows how Captain America: Civil War takes things in a new direction.
Battle Aftermath Exploration
For a couple decades, we’ve watched mutants, shapeshifting robots, and superheroes tear apart a variety of settings in their epic battles. However, as we chomped our popcorn, did we ever think about the toll that all this destruction takes on bystanders? In a brilliant “What if…” consideration, the makers of Captain America: Civil War pose this challenge to the heroes and in so doing, explore the pros and cons of utilitarianism.
It’s About the Conflict Within
Captain America: Civil War does have a minor villain (with a strong motivation). However, unlike X-Men, this film focuses on the conflict between our beloved heroes, and it’s a strategy that makes the logical viewer uncomfortable. It’s impossible to choose a side; they all think they’re doing the right thing. Every time Iron Man blasted away at Captain America, I cringed. Every time Captain America hammered away at Iron Man, I cringed.
Stark: “I’m trying to keep you from tearing the Avengers apart.” Rogers: “You did that when you signed.” Yikes!
Note that the movie poster for Captain America: Civil War shows a faceoff between two sets of five characters, yet I said that each side has six. That’s because two characters new to the Avengers universe make an appearance. The filmmakers make it seem like these two characters are a secret, knowing full well that they will build buzz for the film. That’s a brilliant marketing strategy.
Scott Lang/Ant-Man enters the scene like a little boy, thrilled just to be asked to be part of Captain America’s team. Look for the film’s funniest quote when Ant-Man takes off his helmet after one skirmish.
A barely post-pubescent Peter Parker/Spider-Man takes a bit more convincing to join Stark’s side. Parker has homework, after all. In the film’s most entertaining talk scene, Stark drops in on the apartment of Parker and a refurbished (and much more attractive) Aunt May (Marisa Tomei). Tom Holland’s Parker is an energetic and chatty “little guy” who adds some youthful zeal to the Avengers, like when he refers to “that really old movie Empire Strikes Back.”
“That Cat Guy”
Do we really need the hero that one audience member referred to as “that cat guy?” Or was T’Challa/Black Panther, with his cat ears and metal claws, just thrown into the fray because the filmmakers couldn’t afford The Hulk or Thor and they needed a sixth man to round out Stark’s team? And how come this Black Panther, not genetically modified like Rogers or Bucky, can run fast enough to keep up with cars?
However, in Black Panther’s defense, he does bring a kind of peripheral motivation to the conflict: his singular goal is to kill Bucky.
This is a minor irritant in an otherwise absorbing film that offers everything from the clashing humor of Captain America driving a Volkswagen Beetle to the expression of virtue through action (or inaction). I am tempted to conclude this review with some witticism regarding the brilliance of this film. Alas, instead I resort to the comment of a boy: “those fights were awesome!” – Douglas J. Ogurek *****
Check out Douglas’s reviews of The Avengers (2012) and Avengers: Age of Ultron (2015).