TQF: interviews and the Encyclopedia of Science Fiction

A round-up of TQF-related bits and bobs you may have been lucky enough to miss...

In this interview from 2009 on the blog of Gareth D. Jones I talk a bit – or rather, at extraordinary length! – about TQF, what kind of fiction we're looking for, and why I don't think we'll go semi-pro in the near future.

In December 2010 I was interviewed by Justin Bostian, who included it in this market report for students at Columbia College Chicago. (Link is to a pdf.)

In September 2011 I was slightly less loquacious answering a few questions from Duotrope.

We got a nice write-up in the Encyclopedia of Science Fiction, 3rd edition – "its real purpose is the publication of absurdist fiction which uses all of the images, tropes and concepts of science fiction and mutates them into indescribable forms" – as did one of the contributors to our most recent issue, Rhys Hughes.

I spent hours as a youngster reading the first and second editions of the Encyclopedia in the university library, so you can imagine how thrilled I was that we got a mention…

A Chômu Press happening: Thursday night in London

The ever-interesting Chômu Press have organised a unique book launch for Jeremy Reed’s novel Here Comes the Nice, with two bands playing: The Ginger Light, fronted by the author, and Lord Magpie and the Prince of Cats.

Admission is five pounds, which will be refunded upon purchase of a copy of the book (as long as stocks last).

So that's at 8.00pm till 11.00pm on Thursday, November 31, at Jamboree, 566 Cable Street, London, E1W 3HB.

Sounds to me like an event well worth supporting. Really: if I went to something like that I'd feel like I were in a film. But then that's how I feel whenever I'm in London!

More information about the book here.

I’d also like to draw readers’ attention to Peter Tennant’s lengthy and fascinating interview with Quentin S. Crisp, one of the prime movers behind the press, over on the Black Static blog: Chomu Press in Focus. I love that they have a secret aesthetic, and that somehow Quentin manages to seem both idealistic and practical.

One last point. Perhaps some of you think I’m too fusty to use a word like “happening” and get away with it? Well, I’ll have you know that as I type this I’m wearing a necklace of huge pink beads. Thank you, daughters! I’m with it!

Doctor Who: The Wreck of the Titan, by Barnaby Edwards – reviewed by Stephen Theaker

Every so often an item refuses to be reviewed, fights me at every turn, or like Lucius Shepherd’s Viator Plus is simply beyond the limits of my barely nascent critical faculties. I’ve struggled to review this sixth Doctor adventure. At first I used MP3 Merger to turn it into one long audio file and put it on the Kindle to listen to, but the way it begins with a preview of the next story, the long stretch of incidental music at the end of episode two (during which I invariably fell asleep), and a big chunk of episode three going missing during the merge process all conspired with a story of timeslips and shifting locations to leave me as confused as Jamie and the Doctor are in this story. Trying to listen to it on the iPod or iPad didn’t go any better – I kept losing my place. The PC then? No, Windows Media Player got muddled up by the metadata.

British Fantasy Awards: why I'd reluctantly suggest that BFS members vote against the proposed changes

The BFS has announced its proposals for the British Fantasy Awards, and, to be frank, I think they’re a bit of a mess. The previous procedure had a leak or two, but the new proposals chop up the boat and build a rickety raft that I reckon will sink the first time it hits a storm. Even the new awards administrator says she has a lot of questions about how they are supposed to work, and no one involved in proposing them has come forward to explain.

It's a procedure that's been put together in a rush – albeit with good intentions – and it shows. Basic issues are unaddressed, such as how the administrator should decide between ties. When you have a hundred or so people recommending a hundred different books for four slots, you’re going to get a lot of ties. I can't imagine that there’s a fair way to decide between ten books that all got three votes, and putting them all onto the shortlist would be ridiculous (and isn’t countenanced by the new rules). Rolling a D10 is great when it comes to dodging a goblin's sword thrust, but it's not how the BFA shortlist should be decided!

Holy Terror, by Frank Miller – reviewed by Stephen Theaker

The names have been changed to protect the innocent intellectual properties, but it’s basically Batman and Catwoman snogging away when a sexy exchange student suicide bomber blows up the club on which they're snogging. They get to their feet, swing around the block, and take the fight to the oldest mosque in Empire City, beneath which they find a secret underground Al-Qaeda base.

I’ve loved or at least enjoyed everything I've read that Frank Miller’s been involved in: Daredevil, Ronin, The Dark Knight Returns, Martha Washington, Sin City, 300; I even enjoyed his film The Spirit – so not liking this should have been an uphill struggle. It really wasn’t. The story is thin, the artwork feels like a cut and paste of Miller’s earlier work, and, to be blunt, it’s completely bonkers.

Doctor Who: The Whispering Forest - reviewed by Stephen Theaker

Following the events of Cobwebs, the fifth Doctor asks the Tardis to listen out for trouble. She takes them to Chodor, a planet on which the listener has already encountered human colonists. Besieged by Takers who snatch them from their beds and the whispering ghosts that flock in their wake, they rub their skin raw to keep themselves clean and cut their hair short. The humans have lost their leader, and the Doctor and friends, with their dangerously long hair and baby soft skin (“Er, thanks...” says Tegan), become pawns in a power struggle, between Sesha, progressive daughter of lost Anulf, and Mertil, his righteously murderous widow.

Melancholia – reviewed by Jacob Edwards

Bats in the belfry, beans in the bell jar.

As the rogue planet Melancholia performs a crazy, slingshotting trapeze across the galaxy, privileged sisters Justine (Kirsten Dunst) and Claire (Charlotte Gainsbourg) live out their final days in dismal, otherworldly isolation and country estate gloom, a state of existence that is induced only in part by the prospect of planetary dancing partners Melancholia and Earth spinning and twirling their way to doomsday.

Paranormal Activity 3 – reviewed by Douglas J. Ogurek

With each instalment in a series spawned by a groundbreaking horror film, the risk for failure increases. Many things can go wrong: the once effective scare tactics grow tired; acting talent diminishes; humour scenes fizzle. In a worst case scenario, the film flounders as a hastily assembled disaster that pales in comparison to its namesake. Paranormal Activity 3, like its predecessor, manages to avoid this fate.

This prequel reveals the haunted childhood of sisters Katie (PA 1 protagonist) and Kristi (PA 2 protagonist). In 1988, Dennis, the girls’ somewhat bumbling yet loving stepfather, discovers on a home video something odd enough to impel him to pursue it further (and therefore resume the raw footage technique that fuels the PA dynasty).

Sword Man on a one-star Goodreads rampage!

Returning to the blog for a minute – and no, my novel isn't going well at all, thanks for asking! – to note that Goodreads has got itself an amusing new anonymous member, going by the moniker of Sword Man, who has been handing out one star reviews like he or she bought a big box of them at a fire sale.

See if you can spot a connection between the people whose books are getting slammed:

• The Taken, Sarah Pinborough
• Torchwood: Into the Silence, Sarah Pinborough
• A Matter of Blood, Sarah Pinborough ("Really badly written")
• Zombie Apocalypse, Stephen Jones (ed.)
• Mammoth Book of Zombies, Stephen Jones (ed.)
• Mammoth Book of Vampires, Stephen Jones (ed.)
• Shadows Over Innsmouth, Stephen Jones (ed.)
• The Art of Coraline, Stephen Jones 
• Department Nineteen, Will Hill
• The Deluge, Mark Morris ("Weak")
• The Silent Land, Graham Joyce ("Dull Characters and an unoriginal setting")
• TQF36, Stephen Theaker [and John Greenwood] (eds.)
• TQF Year One, Stephen Theaker (ed.)
• TQF Year Two, Stephen Theaker [and John Greenwood] (eds.)
• TQF Year Three, Stephen Theaker [and John Greenwood] (eds.)
• TQF Year Four, Stephen Theaker [and John Greenwood] (eds.)

Most of the reviews were posted on October 16, with a few more added today after I started following his/her reviews. S/he has also voted two of Sarah Pinborough's books onto the Worst Books of All Time list.

But you'll be glad to hear Sword Man is not all negative!

Sword Man has, just in case you haven't made the connection to the BFS awards brouhaha yet, given five star reviews to Sam Stone ("She calls hersle the New Queen of Vampire Ficion on her website and I'm inclined to agree"), Raven Dane ("Well written and a golly good read") and Rules of Duel from Telos.

The highlight for me is the one-star review of Theaker's Quarterly Fiction: Year Two, which states:

"This man really has no clue at all when it comes to reviews and reviewing. It seems to me that Theaker enjoys writing self-indulgent twaddle - nasty gibes - and spends most of his time writing negative, not informative reviews. I haven't seen one he's written that I would say I agreed with."

The funny thing is that there are no reviews in that book. None whatsoever!

Sword Man strikes – and fails!

The irony is that this is exactly the kind of behaviour that seems to have got the BFS and its awards into hot water into the first place. So while Sword Man may feel like s/he is hitting back, s/he is really just confirming that people were right to suggest that there might be a bit of a problem.

The Gift of Joy, by Ian Whates – reviewed by Stephen Theaker

Though Ian Whates, chair of the BSFA and organiser of Northampton’s Newcon convention, has gone on to (presumably) greater things with novels for Solaris and Angry Robot, this self-published collection of short stories is an inauspicious beginning, one that never strains to reach beyond the closest language to hand, and rarely reaches beyond the most obvious ideas. The best of the stories are perhaps “Darkchild”, in which psychics are caught in an alien trap found in the asteroid belt – the ending was surprising – and “The Gift of Joy”, in which a former deep cover spy uses his talents for mimicry to work as a gigolo. “Hanging on Her Every Word”, horror rather than sf, has an old plot but a painful conclusion.

Abandoning my post!

Upon reflection, to give myself the best possible chance of completing a novel this month (as mentioned here), I'm going to abandon the blog, along with, as previously mentioned, Facebook, the forums and Twitter, until I'm done with the novel – or until November is done with me!

We're open to short story submissions for the magazine as usual. Guidelines here. I've preloaded a few reviews, so the blog won't go completely dead. See you on the other side!